[제 목] 인사이드 아웃 Inside Out
[장 르] 애니메이션, 코미디
[감 독] 피트 닥터
inside-out-screenplay.pdf
INSIDE OUT
original story by
Pete Docter Ronnie Del Carmen
Screenplay by
Pete Docter Meg LeFauve Josh Cooley
BLACK.
JOY (V.O.)
Do you ever look at someone and
wonder, “What is going on inside their head?” Well, I know. I know Riley’s head.
WHITE. FADE IN...
INT. HOSPITAL - DAY
A newborn baby swaddled in a blanket, held by her parents. Push in... and ZOOM IN TO HER HEAD.
INT. HEADQUARTERS
Out of the blackness steps a glowing figure. This is JOY. The room is black except for a bright CONSCIOUSNESS SCREEN.
JOY Hmm?
In front of Joy is a single large BUTTON. She pushes it.
INT. HOSPITAL - CONTINUOUS
The baby gurgles and wiggles happily.
JOY (V.O.) And there she was...
INT. HEADQUARTERS - CONTINUOUS ON THE CONSCIOUSNESS SCREEN:
MOM Hello, Riley.
DAD
Oh look at you. Aren’t you a little
bundle of joy?
A GOLDEN GLOWING SPHERE rolls from behind the screen. It’s a MEMORY of what we just saw: Mom and Dad cooing at Riley.
JOY Whoa.
INSIDE OUT 2.
Joy rolls the memory on its track, illuminating the room. She turns back to the button and pushes it again.
INT. HOSPITAL - CONTINUOUS Baby Riley gurgles happily.
JOY (V.O.)
It was amazing. Just Riley and me,
forever...
INT. HEADQUARTERS - CONTINUOUS Baby Riley CRIES.
JOY (V.O.) ...for 33 seconds.
Joy looks to her side. There’s a new, droopy, blue character touching the button.
SADNESS I’m Sadness.
JOY
Oh, hello. I’m Joy.
Joy tries to muscle past Sadness to press the button.
JOY (CONT’D)
Can I just... if you could... I
just want to fix that. Thanks. The two struggle.
JOY (V.O.)
And that was just the beginning.
Headquarters only got more crowded from there.
INT. MINNESOTA HOUSE - DAY
Riley, now age 3, barrels through the house pulling a wagon.
INT. HEADQUARTERS
ON THE SCREEN: Riley’s POV as she runs through the house. Fear “supervises” Joy, who drives.
INSIDE OUT
3.
FEAR
Very nice. Okay, looks like you got
this. Very good, sharp turn... Riley approaches a POWER CORD on the ground.
FEAR (CONT’D) Ahh! Look out!!! No!
Fear leaps to the console.
JOY (V.O.)
That’s Fear. He’s really good at
keeping Riley safe.
INT. MINNESOTA HOUSE - CONTINUOUS
Riley stops. She cautiously steps over the power cord.
FEAR (O.S.)
Easy... we’re good! We’re good.
INT. HEADQUARTERS
A fear memory (purple) rolls in.
JOY/SADNESS Whew!/Nice job.
FEAR
Thank you! Thank you very much.
Joy jumps back into driving position.
JOY And we’re back!
INT. MINNESOTA HOUSE - CONTINUOUS
Riley continues her sprint through the house.
Suddenly she’s picked up.
INT. KITCHEN - CONTINUOUS
PLOP into highchair. Bib. Tray. Bowl.
DAD
Here we go. Alright, open.
INSIDE OUT 4. Dad lifts a spoonful of food to Riley’s mouth.
INT. HEADQUARTERS
JOY
Hmm. This looks new.
FEAR/SADNESS
Do you think it’s safe?/What is it?
ON THE SCREEN: a spoonful of broccoli. DISGUST enters.
DISGUST
Okay, caution! There is a dangerous
smell, people. Hold on, what is that?
JOY (V.O.)
This is Disgust. She basically
keeps Riley from being poisoned, physically and socially.
DISGUST
That is not brightly colored or
shaped like a dinosaur... Hold on guys... It’s broccoli!
Disgust GAGS and pulls a lever. INT. KITCHEN
YOUNG RILEY
Riley swats the broccoli. It flies into Dad’s face.
INT. HEADQUARTERS
A disgust memory (green) rolls in.
DISGUST
Well, I just saved our lives. Yeah.
You're welcome.
Yucky!
INSIDE OUT
INT. KITCHEN
DAD
Riley, if you don’t eat your dinner,
you’re not going to get any dessert.
INT. HEADQUARTERS
ANGER looks up from reading his newspaper.
ANGER
Wait. Did he just say we couldn’t
have dessert?
JOY (V.O.)
That’s Anger. He cares very deeply
about things being fair.
ANGER
So that’s how you want to play it,
old man? No dessert? Oh, sure, we’ll eat our dinner, right after YOU eat this! GrrrraaaAAHH!!!!
Anger takes the controls as FLAMES blast out of his head. An anger memory (red) rolls in.
INT. KITCHEN
Riley throws a fit. Dad distracts her.
DAD
(’flying’ the spoon)
Hey, Riley, Riley, here comes an airplane!
INT. HEADQUARTERS Anger stops screaming.
ANGER
Oh, airplane. We got an airplane,
5.
everybody.
Ohh!/Ahh!
DISGUST/FEAR/SADNESS/JOY
INT. KITCHEN
Dad “lands” the food into Riley’s smiling mouth.
INSIDE OUT 6.
INT. HEADQUARTERS
A happy memory (golden) rolls in.
The others leave Joy alone at the console with Sadness.
JOY (V.O.)
And you’ve met Sadness. She...
well, she...
FLASH CUTS of Riley crying: broken toy, spilled ice cream, tantrum in the supermarket, wanting out of her car seat.
JOY (V.O.)
I’m not actually sure what she
does. And I’ve checked, there’s no place for her to go, so she’s good, we’re good. It’s all great!
Sadness exits. Joy turns to the wall of golden memories.
JOY (V.O.)
Anyway! These are Riley’s memories--
and they’re mostly happy, you’ll notice, not to brag.
She inspects one of the golden memories: Riley and her friend MEG (both age 3) going down a slide. She REWINDS it, relishing the happy moment.
JOY (V.O.)
But the REALLY important ones are
over here. I don’t want to get too technical, but these are called CORE MEMORIES.
Joy pops up the CORE MEMORY HOLDER. Inside are five intensely bright golden memories.
JOY (V.O.)
Each one came from a super-
important time in Riley’s life. Like when she first scored a goal? That was so amazing!
EXT. MINNESOTA LAKE, WINTER - DAY
Two-and-a-half-year-old Riley shoots a hockey puck across the ice. She trips and accidentally scores a goal.
INSIDE OUT
7.
MOM/DAD (cheering)
Heeey! Would you look at that?! We got a future center here!
INT. HEADQUARTERS
A super-bright CORE MEMORY rolls in.
It rolls to the Core Memory Holder. Clicking into position, a LIGHTLINE shoots out. The Emotions follow it to the back window and watch a new ISLAND OF PERSONALITY form.
JOY (V.O.)
And each core memory powers a
different aspect of Riley’s personality. Like Hockey Island!
Five ISLANDS OF PERSONALITY float in space, miles from Headquarters, connected by LIGHTLINES -- their power sources.
JOY (V.O.)
Goofball Island is my personal
favorite.
INT. MINNESOTA LIVING ROOM - NIGHT
Toddler Riley runs naked from the bathroom, underpants on her head, laughing wildly. Dad chases her with a towel.
DAD
Come back here, you little monkey!
INT. HEADQUARTERS
Goofball Island activates: lights, movement, etc.
INT. MINNESOTA LIVING ROOM
Naked Riley does the goofy dance on the sofa.
INT. HEADQUARTERS
JOY (V.O.)
Yup, Goofball is the best! Friendship
Island is pretty good too. Joy looks at FRIENDSHIP ISLAND.
INSIDE OUT 8.
EXT. SIDEWALK - DAY
Riley and Meg walk leg over leg, arms linked, laughing.
INT. HEADQUARTERS
Joy inspects Honesty Island.
JOY (V.O.)
Oh, I love Honesty Island! And
that's the truth!
INT. MINNESOTA HOUSE - DAY
A guilty Riley stands by a broken plate. She reveals a HAMMER from behind her back.
INT. HEADQUARTERS
Joy examines Family Island.
JOY (V.O.)
And, of course, Family Island is
amazing.
EXT. MINNESOTA KITCHEN TABLE - DAY
The family decorate cookies together. Riley stuffs one into Dad's mouth.
INT. HEADQUARTERS
The Emotions look out over the Islands of Personality.
JOY (V.O.)
The point is, the Islands of
Personality are what make Riley... Riley!
INT. BATHROOM
Riley splashes in the bathtub.
YOUNG RILEY Look out, mermaid!
INSIDE OUT 9.
INT. MINNESOTA LIVING ROOM
Riley climbs the couch. She looks at the floor.
INT. HEADQUARTERS
Joy projects an IMAGINATION of LAVA onto the screen.
INT. MINNESOTA LIVING ROOM
YOUNG RILEY
Riley jumps from couch to chair to avoid the lava.
INT. MINNESOTA HOUSE
Riley draws. Pull back to reveal she’s drawing on the wall.
YOUNG RILEY (singing)
Who’s your friend who likes to play? Bing Bong, Bing Bong...
EXT. MINNESOTA LAKE - DAY
Six-year-old Riley skates across the ice backwards.
MOM/DAD
Hey! Very nice! Where did you learn
that?
INT. HEADQUARTERS
Joy skates around the room, in sync with Riley.
EXT. MINNESOTA FRONT STEPS - DAY
Riley and Meg slurp frozen drinks. Riley grimaces: ice headache!
INT. HEADQUARTERS
FEAR Brain freeze!
The Emotions scream as Headquarters freezes over.
Lava!
INSIDE OUT 10.
EXT. MINNESOTA LAKE - DAY
A kids’ hockey game. Riley takes a shot and scores!
INT. HEADQUARTERS
JOY Yaaay!
INT. RILEY’S MINNESOTA BEDROOM - NIGHT
Parents tuck Riley into bed and turn off the light.
DAD Good night, kiddo!
RILEY G’night, Dad.
She looks up at the stars on her ceiling and falls asleep.
INT. HEADQUARTERS
Joy watches the screen go DARK. She inspects the shelves mostly populated with GOLDEN MEMORIES.
JOY
And... we’re out. That’s what I’m
talking about: another perfect day! Nice job everybody! Let’s get those memories down to Long Term.
Joy pulls a lever. Memories cascade down the shelves.
FEAR
All right, we did not die today! I
call that an unqualified success.
The memories pachinko down the shelves and up a tube. Joy runs to the back window to watch them glide through the distant tubes towards Long-Term Memory like falling stars.
JOY (V.O.)
And that’s it! We love our girl.
She’s got great friends and a great house. Things couldn’t be better. After all, Riley’s 11 now. What could happen?
CUT TO:
INSIDE OUT 11.
EXT. MINNESOTA HOUSE FRONT YARD - DAY Moving sign: Sold!
INT. HEADQUARTERS
JOY Wha...?
SADNESS/FEAR/ANGER/DISGUST AIIIIIGHH!!!
EXT. DRIVEWAY - DAY
SLAM! A packed car hatchback closes.
INT. HEADQUARTERS
JOY Huh?
SADNESS/FEAR/ANGER/DISGUST AIIIIIGHH!!!
EXT. MINNESOTA STREET - DAY VROOM! A moving van drives away.
INT. HEADQUARTERS
JOY
OK, not what I had in mind.
SADNESS/FEAR/ANGER/DISGUST AIIIIIGHH!!!
EXT. AMERICAN HIGHWAYS
A SERIES OF SHOTS: the family car drives across America. The car passes corn fields and rolling hills.
TITLE CARD: A PIXAR ANIMATION STUDIOS FILM
Riley sleeps in the back seat. The car zips around a mountain curve, down a desert highway.
Riley looks out the back window.
INSIDE OUT 12.
The car emerges from a tunnel onto the GOLDEN GATE BRIDGE.
TITLE CARD: INSIDE OUT
The car drives across the bridge. Riley looks out the window.
JOY (V.O.)
Hey look! The Golden Gate Bridge!
Isn’t that great?! It’s not made out of solid gold like we thought, which is kind of a disappointment, but still!
The car drives past the Ferry Building. INT. HEADQUARTERS
FEAR
I sure am glad you told me
earthquakes are a myth, Joy. Otherwise I’d be terrified right now!
Everyone eyes each other behind Fear’s back.
JOY Uh... yeah.
EXT. LOMBARD STREET - DAY
The car is stuck in traffic. Cars HONK and people YELL.
INT. HEADQUARTERS
These are my kind of people!
EXT. MARKET STREET - DAY
DAD
All right, just a few more blocks.
We’re almost to our new house! INT. HEADQUARTERS
ANGER Step on it, Daddy!
ANGER
INSIDE OUT
13.
DISGUST Why don't we just smelly car? We've
it forever.
live in this already been in
JOY
Which, actually, was really lucky,
because that gave us plenty of time to think about what our new house is going to look like! Let’s review the top five daydreams.
Joy plugs in DAYDREAMS showing fantasy houses: tree house, water-slide house, etc.
FEAR
Ooh! That looks safe!
JOY
Ohh, this is will be great for
Riley! Oh, no, no, no, THIS one. A gingerbread house.
DISGUST (O.S.)
Ugh, Joy. For the last time, she
cannot live in a cookie.
ANGER
THAT’S the one! It comes with a
dragon!
EXT. SAN FRANCISCO HOUSE - DAY
JOY (O.S.)
Now we’re getting close, I can feel
it. Here it is, here’s our new house... and...
The car stops and Riley steps out.
REVEAL: a run-down Victorian. Nothing like the daydreams.
INT. HEADQUARTERS Everyone looks slackjawed.
JOY
Maybe it’s nice on the inside.
A castle.
INSIDE OUT 14.
INT. SAN FRANCISCO HOUSE - CONTINUOUS
Riley steps inside. The room is dark, dusty, uninviting.
ANGER (V.O.) We’re supposed to live here?
SADNESS (V.O.) Do we have to?
DISGUST (V.O.)
I’m telling you, it smells like
something died in here.
INT. HEADQUARTERS
A disgust memory rolls in.
FEAR
Can you die from moving?
JOY
Guys, you’re overreacting. Nobody
is dying--
DISGUST A DEAD MOUSE!!!
ON THE SCREEN: A dead mouse in the corner.
DISGUST (O.S.) (CONT’D) I’m gonna be sick...
ANGER (O.S.) Great, this is just great.
FEAR (O.S.) Ahhhhh!! It’s the house of the
dead! What are we gonna do?! We’re gonna get rabies!!!
Fear jumps into Anger’s arms. Anger fires up the flames.
ANGER GET OFFA ME!!!
Fear runs around on fire. Joy puts him out with a fire extinguisher.
JOY
Hey, hey, hey, all through the
drive Dad talked about how cool our new room is. Let’s go check it out!
INSIDE OUT
15.
FEAR/ANGER/DISGUST (O.S.) You’re right, Joy/Yeah!/That’s
right!/Yes, yes, yes!
INT. SAN FRANCISCO HOUSE Riley dashes up the stairs.
INT. RILEY’S ROOM - CONTINUOUS It’s tiny. Depressing.
FEAR/DISGUST/ANGER (O.S.) No, no, no, no, no./I’m starting to
envy the dead mouse./Get out the rubber ball, we’re in solitary confinement.
INT. HEADQUARTERS
Oh, Riley can’t live here.
ANGER She's right.
DISGUST It’s the worst. It’s
FEAR Really bad.
ANGER This house stinks.
SADNESS
absolutely the worst.
Memories roll in: anger, disgust, fear.
JOY
Hey, it’s nothing our butterfly
curtains couldn’t fix. I read somewhere that an empty room is an opportunity.
ANGER
Where did you read that?
JOY
It doesn’t matter. I read it and
it’s great. We’ll put the bed there. And the desk over there...
Joy projects an IMAGINATION of Riley’s furniture.
FEAR
The hockey lamp goes there...
INSIDE OUT
Put the chair there.
16.
Posters...
ANGER SADNESS
DISGUST
Well, the trophy collection
goes there.
FEAR Stars! I like that.
JOY
Now we’re talking! Let’s go get our
stuff from the moving van!
INT. SAN FRANCISCO HOUSE - DAY
Riley dashes down the stairs as Mom and Dad enter the house. Dad is on the phone.
DAD Alright. Goodbye.
(hangs up; to Mom)
Well, guess what? The moving van
won’t be here until Thursday.
MOM You’re kidding.
INT. HEADQUARTERS
FEAR
The van is lost?! This is the worst
day ever!
ON THE SCREEN: Mom and Dad ARGUE.
MOM
You said it would be here
DAD
I know that’s what I said.
That’s what they told me!
*
yesterday!
FEAR (O.S.)
Mom and Dad are stressed out!
FEAR/ANGER/DISGUST/SADNESS They’re arguing!/What are we going
to do?/This is so stressful./What is their problem?
Joy runs to storage and grabs what looks to be a LIGHTBULB.
JOY
I’ve got a great idea!
She clicks the IDEA into the console.
INSIDE OUT
17.
INT. SAN FRANCISCO LIVING ROOM - DAY
Riley’s face lights up. Riley grabs her hockey stick. Puts a wad of paper in play.
MOM
Did you even read the
DAD
Honey, you act like this is
my fault--
contract?
*
RILEY
Andersen makes her move. She's
closing in!
DAD (grabbing a broom)
Hey! Oh, no you’re not!
RILEY
She’s lining up for the shot!
DAD
Coming behind you! Watch out!
She slides past him. Knocks the “puck” into the fireplace.
RILEY
She shoots and she scores! Yeah!
INT. HEADQUARTERS
The Emotions cheer. Out the back window, Family Island runs.
INT. SAN FRANCISCO LIVING ROOM - CONTINUOUS
RILEY (taunting Mom)
Come on, Grandma!
MOM Ha! “Grandma?”
INT. HEADQUARTERS
JOY
Uh-oh, she put her hair up, we’re
in for it!
INSIDE OUT 18.
INT. SAN FRANCISCO LIVING ROOM
They all play hockey, Mom using a pillow to guard the “goal.” Dad picks her up to shoot past her.
MOM (laughing)
Woo! Hey, put me down!
Dad scoops up Riley, too. Riley giggles.
INT. HEADQUARTERS
A happy memory rolls in. Joy’s back in charge.
INT. SAN FRANCISCO LIVING ROOM Dad’s cell phone beeps.
DAD
Ugh. Sorry, hold on, hold on.
(answers) Hello?
INT. HEADQUARTERS
JOY Wait. Wha--?
INT. SAN FRANCISCO LIVING ROOM
DAD
You’re kidding. All right. Stall
for me, I’ll be right there. (hangs up)
The investor’s supposed to show up on Thursday, not today! I gotta go.
INT. HEADQUARTERS Joy is disappointed.
INT. SAN FRANCISCO LIVING ROOM
MOM
It's okay. We get it.
INSIDE OUT
19.
DAD
You’re the best. Thanks, Hon.
(to Riley, as he leaves) See you, Sweetie.
INT. HEADQUARTERS
FEAR Dad just left us.
SADNESS
Oh, he doesn’t love us anymore.
That’s sad. I should drive, right? JOY BLOCKS HER.
SADNESS (CONT’D) Joy? What are you doing?
JOY
Uh, just uh, gimme one second...
You know what I’ve realized? Riley hasn’t had lunch!
(takes a memory off the wall and plays it)
Remember? MEMORY: A PIZZA SHOP.
INT. SAN FRANCISCO LIVING ROOM
RILEY
Hey I saw a pizza place down the
street. Maybe we could try that?
MOM
Pizza sounds delicious!
INT. HEADQUARTERS
FEAR/ANGER/DISGUST Yeah!/Pizza!/Good idea, Joy.
Joy smiles.
INT. PIZZA PLACE - DAY
Riley and Mom get their pizza. On it: broccoli.
INSIDE OUT
INT. HEADQUARTERS
FEAR/JOY/DISGUST
What the HECK IS THAT?!/Who puts
broccoli on pizza?/That’s it. I’m done.
ANGER Congratulations, San Francisco,
you’ve ruined pizza! First the Hawaiians, and now YOU!
EXT. SAN FRANCISCO STREET - LATER
Mom and Riley walk home. Riley looks disappointed.
MOM
What kind of a pizza place only
serves one kind of pizza? Must be a San Francisco thing, huh?
INT. HEADQUARTERS
Joy glances at the wall of multi-colored memories. She sighs: things are not going well.
EXT. SAN FRANCISCO STREET - CONTINUOUS
MOM
Still, it’s not as bad as the soup
at that diner in Nebraska.
RILEY
Oh yeah. The spoon stood up in the
soup by itself! That was disgusting.
INT. HEADQUARTERS
Joy looks out the back window. Family Island is going.
JOY
Oh good. Family is running.
EXT. SAN FRANCISCO STREET
MOM
The drive out was pretty fun, huh?
What was your favorite part?
20.
INSIDE OUT
INT. HEADQUARTERS
ANGER
Spitting out the car window!
DISGUST Definitely not when Dad was
21.
singing.
FEAR Wearing a seat
JOY What about the
dinosaur! Joy pulls up a memory.
belt!
time with the
SADNESS/FEAR/ANGER/DISGUST Yeah./Yup./That’s the one.
ON THE SCREEN: Riley and Mom pose in front of a roadside cement dinosaur in Vernal, Utah.
DAD (ON SCREEN) Say cheese!
Behind Dad, the car rolls down the hill. No brakes!
RILEY (ON SCREEN) Dad! Dad! Look behind you.
MOM (ON SCREEN) Honey. The car! The car!
DAD (ON SCREEN) Hold still. Huh?
(runs off after the car) Stoooop! No no no nononono!!
Stegosaurus tail through the back window. The family laughs. Enjoying the memory, Joy and the others chuckle.
FEAR Nice one, Joy.
EXT. SAN FRANCISCO STREET
RILEY (smiling)
I liked that time at the dinosaur. That was pretty funny.
INSIDE OUT 22.
INT. HEADQUARTERS
Joy’s cheer is cut short when the dinosaur memory TURNS BLUE.
EXT. SAN FRANCISCO STREET - DAY Riley’s smile fades.
INT. HEADQUARTERS
JOY
Wait. What? What happened?
Joy looks back. Sadness is touching the memory.
FEAR
She did something to the memory.
Joy tries to fix the memory.
JOY What did you do?
SADNESS I just touched it.
JOY
That shouldn’t make it change.
FEAR Change it back, Joy!
Joy rubs it, but the memory stays blue.
JOY I’m trying.
ANGER
You can’t change it back?
JOY
No, I guess I can’t!
DISGUST
Good going Sadness. Now when Riley
thinks of that moment with Dad, she’s gonna feel sad. Bravo.
SADNESS
I’m sorry Joy... I don’t really
know-- I thought maybe, if you-- if I-- if... I mean...
INSIDE OUT
23.
DISGUST
Joy, we've got a stairway coming up.
EXT. SAN FRANCISCO STREET - DAY
Riley runs towards a stairway and handrail.
INT. HEADQUARTERS
JOY
Just don’t touch any other memories
until we figure out what’s going on.
Okay.
SADNESS
JOY
(stepping up to controls)
Alright. Get ready, this is a monster railing, and we are riding it all the way down!
EXT. SAN FRANCISCO STREET - CONTINUOUS Riley sits on the railing, ready to slide.
INT. HEADQUARTERS
Joy looks back: GOOFBALL ISLAND is whirring like crazy.
EXT. SAN FRANCISCO STREET
Riley goes to slide... but hops off and walks down instead.
INT. HEADQUARTERS
JOY
Wait, what? What happened?
Suddenly a CORE MEMORY ROLLS up to Joy’s feet.
FEAR A core memory!
JOY Oh no!
INSIDE OUT 24.
Out the back window, GOOFBALL ISLAND GOES DARK. Joy rushes to the Core Memory Holder.
JOY (CONT’D) Sadness! What are you doing?
SADNESS
It looked like one was crooked so I
opened it and then it fell out!
Joy pops the memory back in. GOOFBALL ISLAND comes back on.
EXT. SAN FRANCISCO STREET
Riley jumps back on the railing and slides down.
RILEY Woo hoo!
INT. HEADQUARTERS
SADNESS
It’s just that... I wanted to maybe
hold one.
She reaches out to touch one, AND IT STARTS TO GO BLUE.
FEAR JOY!
Joy pushes Sadness away before she can touch it.
JOY Whoa, whoa, whoa!
The core memory TURNS BACK TO YELLOW.
JOY (CONT’D)
Sadness! You nearly touched a core
memory. And when you touch them, we can’t change them back!
SADNESS
I know. I’m sorry. Something’s
wrong with me. It’s like I’m having a breakdown.
JOY
You are not having a breakdown.
It’s stress.
INSIDE OUT
25.
SADNESS
I keep making mistakes like that.
I’m awful...
JOY Nooo, you’re not.
SADNESS ...and annoying.
JOY
Well... uh... You know what? You
can’t focus on what’s going wrong. There’s always a way to turn things around, to find the fun!
SADNESS
Yeah. Find the fun. I don’t know
how to do that.
JOY
Okay. Well, try think of something
funny! Long pause.
SADNESS
Oh! Remember the funny movie where
the dog dies?
JOY Yeah, that’s not...
(tries another approach)
What about that time with Meg, when
Riley laughed so hard milk came out
of her nose? I mean come on...
INSERT: Riley spitting milk out of her nose, Meg laughing.
SADNESS
Yeah, that hurt. It felt like fire.
JOY
Okay, okay, don’t think of that.
Let’s try something else. What are your favorite things to do?
SADNESS
My favorite? Um, well, I like it
when we’re outside.
JOY
That’s good! Like there’s the beach
and sunshine... Oh! (MORE)
INSIDE OUT
26.
JOY (CONT'D)
Like that time we buried Dad in the
sand up to his neck?
INSERT: Riley at beach, Dad buried in sand.
SADNESS (V.O.)
I was thinking more like rain.
INSERT: Riley stands in a downpour.
JOY
Rain? Rain... is my favorite too!
We can stomp around in puddles... INSERT: Riley happily jumps through puddles.
JOY (CONT’D)
There’s cool umbrellas, lightning
storms...
SADNESS (V.O.)
More like when the rain runs down
our back and makes our shoes soggy. And we get all cold and shivery...
INSERT: Riley’s shoes fill with water. She looks miserable.
SADNESS
...and everything just starts
feeling droopy... Sadness melts to the floor, crying.
JOY
Oh, hey, hey... easy. Why are you
crying? That’s really the opposite of what we’re going for here.
SADNESS
Crying helps me slow down and
obsess over the weight of life's problems.
JOY
Ugh, you know what? Let’s think
about something else. How about we read some mind manuals, huh? Sounds fun!
She drags Sadness over to a shelf of technical manuals.
SADNESS
I’ve read most of them.
INSIDE OUT
27.
JOY
Well have you read this one? This
seems interesting: “Long-Term Memory Retrieval, Volume 47?”
No.
SADNESS
JOY
Ohhh! A real page turner!
SADNESS
(opens manual; reads)
“Long-Term Memory Data Selection via channel sub-grouping?”
JOY
See? Fun already! You lucky dog,
you’re reading these cool things and I gotta go work. Life is so unfair.
Joy walks away. But just as she thinks things DING! Another memory -- Disgust -- slides in.
INT. SAN FRANCISCO HOUSE - NIGHT
Riley hops down the stairs towards the living
DAD (O.S.) (on phone)
What can we do? We’ve only got capital to last a month, maybe two. If we can't find investors by then, we’re going to have to lay people off.
Riley hears the stress in Dad’s voice.
RILEY
Mom! Dad! Come kiss me g’night!
MOM Be right there!
DAD (on phone)
I know, I know! We’ve got to land this, okay?
Riley heads back upstairs.
are handled... Joy groans.
room.
INSIDE OUT
28.
INT. RILEY’S ROOM Riley climbs into
INT. HEADQUARTERS
Did you upset.
INT. RILEY’S ROOM
- MOMENTS LATER her sleeping bag.
FEAR
hear Dad? He sounded really
STRANGE NOISES from outside. Headlights cast shadows on the wall. Riley looks scared.
INT. HEADQUARTERS
FEAR
What was that? Was it a bear? It’s
a bear!
DISGUST
There are no bears in San
Francisco!
ANGER
I saw a really hairy guy. He looked
like a bear.
FEAR
Oh, I’m so jumpy, my nerves are
shot!
DISGUST
Ew, I don’t want to hear about your
nerves!
ANGER
I’ll tell you what it is. This move
has been a bust.
FEAR
That’s what I’ve been telling you
guys! There are at least 37 things for Riley to be scared of right now!
DISGUST
The smell alone is enough to make
her gag.
INSIDE OUT
29.
ANGER
I can’t believe Mom and Dad moved
us here!
JOY
Look, I get it. You guys have
concerns. But we’ve been through worse! Tell you what: let’s make a list of all the things Riley should be HAPPY about!
ANGER
Fine. Let’s see... this house
stinks, our room stinks...
DISGUST Pizza is weird here...
SADNESS
Our friends are back home...
FEAR
And all of our stuff is in the
missing van!
JOY
Oh c’mon, it could be worse...
DISGUST
Yeah, Joy. We could be lying on the
dirty floor. In a bag.
INT. RILEY’S ROOM
Riley is lying on the dirty floor in a sleeping bag.
INT. HEADQUARTERS
JOY
Okay, I admit it, we had a rough
start. But think of all the good things that--
ANGER
No, Joy. There’s absolutely no
reason for Riley to be happy right now. Let us handle this.
FEAR
I say we skip school tomorrow and
lock ourselves in the bedroom.
INSIDE OUT
30.
DISGUST
We have no clean clothes. I mean,
no one should see us.
SADNESS
Yeah, we could cry until we can’t
breathe.
ANGER
We should lock the door and scream
that curse word we know. It’s a good one!
JOY
Now hold on! Look, we all have our
off days. You know, I--
ON THE SCREEN: Mom opens Riley’s bedroom door.
MOM Hi honey.
ANGER
The Mom Bad News Train is pulling
in! Toot toot!
INT. RILEY’S ROOM
Mom sits next to Riley.
MOM
Still no moving van. Now they’re
saying it won’t be here ‘til Tuesday, can you believe it?
INT. HEADQUARTERS
Toot toot toot!
INT. RILEY’S ROOM
RILEY Where’s Dad?
MOM
On the phone. This new venture is
keeping him pretty busy. Your dad’s a little stressed -- you know, about getting his new company up and running...
ANGER
INSIDE OUT
INT. HEADQUARTERS
ANGER I rest my case!
Joy sighs. She falls back from the controls. Anger steps up to the console.
ANGER (CONT’D)
Now for a few well-placed withering
scowls.
INT. RILEY’S ROOM
MOM
I guess all I really want to say
is: thank you. INT. HEADQUARTERS
31.
ANGER Anger drops the controls.
INT. RILEY’S ROOM
MOM
You know, through all this
confusion you’ve stayed... well, you’ve stayed our happy girl!
Mom brushes Riley’s cheek.
MOM (CONT’D)
Your dad’s under a lot of pressure.
But if you and I can keep smiling, it would be a big help. We can do that for him, right?
INT. HEADQUARTERS
Joy, smiling with renewed purpose, steps back to the console.
JOY Whoa! Well.
Huh?
INSIDE OUT
INT. RILEY’S ROOM
RILEY (smiles)
Yeah! Sure.
MOM
What did we do to deserve you?
(kisses Riley) Sweet dreams.
RILEY Good night.
INT. HEADQUARTERS
ANGER
Well, you can’t argue with Mom.
32.
“Happy” it is.
FEAR
Team Happy! Sounds great!
INT. RILEY’S ROOM Riley goes to sleep.
INT. HEADQUARTERS
The screen goes black.
DISGUST
I’m totally behind you, Joy.
JOY
Looks like we’re going into REM. I
got Dream Duty, so I’ll take care of sending these to Long Term. Great day today, guys! Sleep well TEAM HAPPY!
The team heads off to bed. Harp music plays.
JOY (CONT’D)
Alright, what's on tonight, Dream
Production?
ON THE SCREEN: a DREAM COMES UP.
The family FLIES happily through the air in the car. They land in front of the house--
INSIDE OUT
33.
DAD
Well, this is it. The new place.
-- except it’s haunted! Organ music. Ghosts howling. The dead mouse rises up into frame.
MOUSE
Come live with me, Riley!
The mouse falls over, dead. A bear enters, holding a pizza.
PIZZA BEAR
Somebody order a broccoli pizza?
The pizza slices hop up and dance a jig.
PIZZA SLICE Eat me! I’m organic!
INT. RILEY’S ROOM
Riley frowns in her sleep.
INT. HEADQUARTERS
JOY
Ah, NO, who is in charge of
programming down there?! I know I’m not supposed to do this, but...
Joy ducks behind the console and REBOOTS it. The dream ends.
INT. RILEY’S ROOM - NIGHT Riley still looks troubled.
INT. HEADQUARTERS
JOY
We are not going to end the day
like this.
Joy has a thought. She recalls a memory.
ON THE SCREEN: Riley ice skates with her parents.
Joy watches, loving this kid. She shadows Riley, “skating” around headquarters.
INSIDE OUT
34.
JOY (CONT’D)
Don’t you worry. I’m gonna make
sure that tomorrow is another great day. I promise.
INT. RILEY’S ROOM - NIGHT Riley SMILES in her sleep.
INT. KITCHEN - MORNING
Riley excitedly snarfs down breakfast cereal.
INT. HEADQUARTERS - MORNING
Joy plays the accordion around Headquarters. The others appear, looking grumpy. Joy yells over the noise.
JOY
Hello! Did I wake you?
ANGER
DO you have to play that?
JOY
Well, I have to practice. And I
don’t think of it as playing so much as hugging.
She tosses aside the accordion and runs off.
JOY (CONT’D)
Okay, first day of school! Very,
very exciting! I was up late last night figuring out a new plan. Here it is.
(to Fear)
Fear! I need a list of all the
possible negative outcomes on the
first day at a new school.
FEAR
Way ahead of you there. Does anyone
know how to spell “meteor?”
JOY
Disgust! Make sure Riley stands out
today... but also blends in.
INSIDE OUT
35.
DISGUST
When I’m through, Riley will look
so good the other kids will look at their own outfits and barf.
JOY (addressing herself)
Joy! Yes Joy? You’ll be in charge of the console, keeping Riley happy all day long. And may I add I love your dress, it’s adorable. Oh, This ol’ thing? Thank you so much, I love the way it twirls...
TOOT TOOT! A TRAIN rushes by outside.
JOY (CONT’D) Train of Thought! Right on
schedule.
The engineer waves from the cab and drops off a large bag.
JOY (CONT’D)
Anger! Unload the daydreams. I
ordered extra in case things get slow in class.
ANGER
Might come in handy, if this new
school is full of boring useless classes, which it probably will be...
Sadness walks by. Joy stops her.
JOY
Oh - Sadness! I have a super
important job just for you.
SADNESS Really?
JOY Mmm-hmmm. Follow me.
THE BACK OF THE ROOM
Joy draws a chalk circle on the floor around Sadness’s feet.
SADNESS What are you doing?
CUT TO:
INSIDE OUT
36.
JOY
(finishing the circle)
And... there. Perfect. This is circle of Sadness. Your job is make sure that all the Sadness stays inside of it.
the to
SADNESS
So... you want me to just stand
here?
JOY
Hey, it’s not MY place to tell you
how to do your job. Just make sure-- (nudging Sadness’ foot back
over the line)
--ALL the Sadness stays in the
circle.
Sadness stands there.
JOY (CONT’D)
See? You’re a pro at this! Isn’t
this fun?!
SADNESS
No.
Atta girl. Alright everyone, fresh start! We are gonna to have a good day, which will turn into a good week, which will turn into a good year, which turns into a good LIFE!
INT. SAN FRANCISCO HOUSE - MORNING
Mom helps Riley on with her backpack. Dad is on the phone.
MOM
So, the big day! New school, new
friends, huh?
RILEY
I know! I’m kinda nervous, but I’m
mostly excited! How do I look? Do you like my shirt?
INT. HEADQUARTERS
Joy looks back at Family Island, working away.
JOY
(heading to the console)
INSIDE OUT 37.
INT. SAN FRANCISCO HOUSE - CONTINUOUS
MOM
Very cute! You gonna be okay? You
want us to walk with you? INT. HEADQUARTERS
DISGUST
Mom and Dad? With us in public? No
thank you.
JOY (operating console)
I’m on it.
INT. SAN FRANCISCO HOUSE
RILEY
Nope, I’m fine. Bye Mom! Bye Dad!
DAD (covering phone)
Have a good day at school, Monkey! All three make monkey sounds at each other.
INT. HEADQUARTERS
Goofball Island works out the back window.
INT. SAN FRANCISCO HOUSE Riley giggles as she exits.
MOM
Have a great day, sweetheart.
EXT. SCHOOL - MORNING
Riley walks up to her new school. New kids everywhere. She hesitates.
FEAR (O.S.)
Are you sure we want to do this?
In we go!
JOY (O.S.)
INSIDE OUT
38.
FEAR (O.S.) Okayyy! Going in! Yes.
Riley perks up and walks in.
INT. CLASSROOM - MORNING
Riley sits at her desk and looks at the other kids in class.
DISGUST (O.S.)
Okay, we’ve got a group of cool
girls at 2 o’clock.
INT. HEADQUARTERS - CONTINUOUS
JOY How do you know?
DISGUST
Double ears pierced, infinity
scarf...
A group of makeup-wearing girls look back at Riley.
JOY
Whoa. Is she wearing eye shadow?
DISGUST
Yeah, we want to be friends with
them.
JOY
Let’s go talk to ‘em!
DISGUST
Are you kidding?? We’re not TALKING
to them, we want them to like us.
JOY Oh!
(then) Wait, what?
FEAR
(drops a giant stack of
paper on the console)
Almost finished with the potential
disasters. Worst scenario is either
quicksand, spontaneous combustion,
or getting called on by the
teacher. So as long as none of
those happen...
INSIDE OUT
INT. CLASSROOM
TEACHER
Okay, everybody. We have a new
student in class today. INT. HEADQUARTERS
FEAR
Are you kidding me?! Out of the
gate? This is not happening! INT. CLASSROOM
TEACHER
Riley would you like to tell us
something about yourself? INT. HEADQUARTERS
FEAR
Nooooooo! Pretend we can’t speak
English!
JOY
Don't worry. I got this.
Joy pushes a lever. INT. CLASSROOM
RILEY
Uhh... okay. My name is Riley
Andersen. I’m from Minnesota. And now I live here.
TEACHER
And how about Minnesota?... Can you
tell us something about it? Well you certainly get a lot more snow than we do.
INT. HEADQUARTERS
JOY (laughs)
She’s hilarious! She turns a lever.
39.
INSIDE OUT 40.
INT. CLASSROOM
Riley smiles, in spite of all the eyes on her.
RILEY
Yeah, it gets pretty cold. The lake
freezes over, and that’s when we play hockey. I’m on a great team. We’re called the Prairie Dogs. My friend Meg plays forward. My Dad’s the coach. Pretty much everyone in my family skates.
INT. HEADQUARTERS
Joy recalls a MEMORY: the family skating together.
INT. CLASSROOM
Riley “watches” the memory, smiling.
RILEY
It’s a kind of family tradition. We
go out on the lake almost every weekend.
INT. HEADQUARTERS
Joy smiles. Then, mysteriously, the IMAGE TURNS BLUE.
INT. CLASSROOM
Riley’s smile fades, her brow furrows.
RILEY
Or we did, ‘til I moved away.
INT. HEADQUARTERS Confused, Joy looks around.
FEAR/DISGUST/ANGER Huh?/Hey, what gives?/What?
JOY Hey--
She spots Sadness, who is guiltily touching the memory.
INSIDE OUT
41.
JOY (CONT’D)
Sadness! You touched a memory?! We
talked about this.
SADNESS
Oh yeah, I know. I’m sorry.
JOY
Get back in your circle.
(trying to eject memory)
Gnnh! What’s going on? Why won’t it
eject?!!
She fiddles with the console, but the blue memory won’t move.
FEAR
Get it out of there, Joy!
INT. CLASSROOM
RILEY (sniffling)
We used to play tag and stuff... INT. HEADQUARTERS
DISGUST
Cool kids whispering at 3 o’clock!
INT. CLASSROOM
The other kids whisper and stare.
INT. HEADQUARTERS
FEAR
Did you see that look?!? They’re
judging us!
JOY Oh no.
Joy tries pulling the memory. Anger, Fear and Disgust help.
JOY (CONT’D) Somebody help me. Grab that...
everybody...
They pull with all their might, but the memory’s not budging.
INSIDE OUT
INT. CLASSROOM
RILEY
But everything’s different now.
Since we moved... TEARS stream down Riley’s face.
INT. HEADQUARTERS
FEAR
Oh no! We’re CRYING AT SCHOOL!!!
Joy turns to the console. SADNESS IS DRIVING.
JOY
What? No! Sadness, what are you
doing?
Joy finally yanks the memory out. She runs to the console and pulls Sadness away from the controls.
SADNESS
Oh no, I'm sorry... I... oh...
PING! A memory is created. BRIGHT BLUE.
JOY Huh?
ANGER Whoa!
FEAR It’s a core memory!
DISGUST But it’s blue!
The bright blue core memory rolls through the memory shelf and STARTS TOWARDS THE CORE MEMORY HOLDER!
JOY
No wait... stop it! No! Ahh!
Joy leaps to the holder and pops it open, preventing the new blue core memory from going in. Joy grabs it.
She pushes the end-of-day “memory flush” button. The tube comes down from the ceiling.
42.
INSIDE OUT
43.
SADNESS
(trying to take her memory
back from Joy)
Joy, no. That’s a core memory, Joy!
JOY
Hey! Stop it. Let go.
As they struggle, they bump into the Core Memory Holder, KNOCKING ALL OF THE CORE MEMORIES OUT onto the floor.
FEAR/DISGUST/ANGER FEAR The core memories!
Ahh!
Out the window, the ISLANDS OF PERSONALITY GO DARK.
INT. CLASSROOM
Riley, her face tear-stained, looks up.
INT. HEADQUARTERS
JOY Ahh!
Joy tosses the blue core memory aside to collect the yellow core memories.
Sadness grabs the blue core memory and heads to the Core Memory Holder to plug it in. Joy lunges, knocking the blue core memory out of Sadness’s hands. It’s SUCKED UP the vacuum tube.
Joy trips backward. In the chaos a yellow core memory rolls toward the tube.
JOY (CONT’D) No, no, no, no!
She reaches to grab it and gets sucked up the tube herself, along with the other core memories -- and Sadness!
Fear, Anger and Disgust now stand alone in Headquarters. A stunned silence as the tube retracts.
INT. CLASSROOM
Riley sits and wipes her tears.
INSIDE OUT
44.
TEACHER
Thank you, Riley. I know it can be
tough moving to a new place, but we're happy to have you here. Alright everyone, get out your history books and turn to chapter seven.
Riley hides behind her book. INT. HEADQUARTERS
ANGER
Can I say that curse word now?
INT. TUBE
Joy and Sadness scream as they rocket down the tube. Joy desperately tries to hold on to the core memories.
The blue core memory is sorted to a side tube.
EXT. LONG-TERM MEMORY CLIFF EDGE
Joy lands in a bin of memories. Sadness crashes next to her.
JOY Oh no...
(gathering memories)
One, two, three... okay, got ’em.
Wha-- where are we?
Joy takes in the shelving around her.
JOY (CONT’D) Long-Term Memory...!
Joy grabs the core memories and jumps out of the dumpster. She sees GOOFBALL ISLAND, silent and dark.
JOY (CONT’D) Goofball Island.
Joy surveys the islands beyond. They’re all dark.
SADNESS
Hoh... Riley’s Islands of
Personality. They’re ALL down! This is bad.
INSIDE OUT
45.
JOY
We-- we can fix this. We just have
to get back to Headquarters, plug the core memories in, and Riley will be back to normal.
Joy and Sadness hurry towards headquarters.
SADNESS
Riley has no core memories, no
personality islands and no-- (gasp)
JOY Wha-- What is it?
SADNESS
You! YOU’RE not in headquarters.
Without you, Riley can’t be happy. We gotta get you back up there.
JOY
I’m coming, Riley.
They set off across the bridge to Goofball Island. We see the LIGHTLINE beyond it, leading towards Headquarters.
INT. KITCHEN TABLE - EVENING Riley and her parents eat dinner.
MOM
So as it turns out the green trash
can is not recycling, it’s for greens. Like compost. And eggshells.
DAD
(not really listening)
Mmm.
MOM
And the blue one is recycling. And
the black one is trash. Riley pushes food around on her plate.
INT. HEADQUARTERS
DISGUST
Riley is acting so weird. Why is
she acting so weird?
INSIDE OUT
46.
ANGER
What do you expect? All the islands
are down.
DISGUST
Joy would know what to do.
FEAR
That’s it! Until she gets back, we
just do what Joy would do!
DISGUST
Great idea! Anger, Fear, Disgust.
How are WE supposed to be happy?
MOM (O.S.)
Hey, Riley. I’ve got good news!
INT. KITCHEN TABLE - CONTINUOUS
MOM
I found a junior hockey league
right here in San Francisco. And get this: try-outs are tomorrow after school. What luck, right?
INT. HEADQUARTERS
ANGER Hockey?
DISGUST Uh-oh. What do we do?
FEAR
Guys, uh, this... Here, you pretend
to be Joy.
Fear pushes Disgust forward. She steps up to drive.
ON THE SCREEN:
MOM
Won’t it be great to be back out on
the ice?
INSIDE OUT 47.
INT. KITCHEN DINING TABLE
RILEY (sarcastic)
Oh yeah, that sounds fantastic. INT. HEADQUARTERS
FEAR
What was that? That wasn’t anything
like Joy.
DISGUST
Uh, because I’m NOT Joy.
FEAR Yeah, no kidding.
INT. KITCHEN TABLE
Mom, taken aback, eyes Riley. Zoom in to Mom’s head...
INT. MOM’S HEADQUARTERS
MOM’S SADNESS
Did you guys pick up on that?
Uh-huh.
MOM'S ANGER
MOM'S JOY / MOM'S FEAR / MOM'S DISGUST Oh yeah/Definitely.
MOM’S DISGUST Something’s wrong.
MOM’S ANGER Should we ask her?
MOM’S SADNESS
Let’s probe. But keep it subtle, so
she doesn’t notice.
INT. KITCHEN TABLE
MOM
So! How was the first day of
school?
INSIDE OUT 48.
INT. RILEY’S HEADQUARTERS
ANGER She’s probing us.
DISGUST I'm done.
(to Fear)
YOU pretend to be Joy.
FEAR
What? Uh... okay... hmm.
INT. KITCHEN TABLE
RILEY (nervous)
It was fine, I guess, I don't know.
INT. RILEY’S HEADQUARTERS
DISGUST
Oh, very smooth, that was JUST like
Joy.
INT. MOM’S HEADQUARTERS
MOM’S ANGER Something’s definitely going on.
MOM’S DISGUST
She’s never acted like this before.
What should we do?
MOM’S SADNESS
We’re going to find out what’s
happening. But we’ll need support. Signal the husband.
INT. KITCHEN TABLE
Mom clears her throat at Dad. He doesn’t notice. Zoom in to Dad’s head...
INT. DAD’S HEADQUARTERS
All of Dad’s emotions are watching a HOCKEY MATCH, cheering.
INSIDE OUT
49.
SPORTS ANNOUNCER
...with a nice pass over to Reeves,
he comes across center ice...
INT. KITCHEN TABLE
Again Mom stares, clears her throat. Dad looks up, clueless.
INT. DAD’S HEADQUARTERS
DAD’S ANGER Uh-oh. She’s looking at us.
(turns off the memory) What did she say?
DAD’S FEAR
What? Uh, sorry, Sir. No one was
listening.
DAD'S ANGER
Is it garbage night? We left the
toilet seat up? What? What is it, woman, what?!?
INT. MOM’S HEADQUARTERS
MOM’S DISGUST (re: Dad on the screen)
He’s making that stupid face again.
MOM’S ANGER
I could strangle him right now!
MOM’S SADNESS Signal him again.
INT. KITCHEN TABLE
Mom raises her eyebrows and tilts her head towards Riley. Dad finally gets it.
DAD
Ahh, so, Riley! How was school?
INT. MOM’S HEADQUARTERS Mom’s Emotions give up.
INSIDE OUT
50.
MOM'S JOY / MOM'S SADNESS / MOM'S FEAR
/ MOM'S DISGUST
You gotta be kidding me!/He really
needs to start paying attention./ Is he paying attention at all?
MOM'S ANGER
For THIS we gave up that Brazilian
helicopter pilot?
INT. RILEY’S HEADQUARTERS
ANGER Move! I’LL be Joy.
INT. KITCHEN TABLE
RILEY (snarky)
School was great, alright?
MOM
Riley, is everything okay?
Riley rolls her eyes.
INT. DAD’S HEADQUARTERS
DAD’S FEAR
Sir, she just rolled her eyes at us.
DAD’S ANGER
What is her deal? Alright, make a
show of force. I don’t want to have to put “the Foot” down.
DAD'S FEAR No. Not the Foot.
INT. KITCHEN TABLE
DAD
Riley, I do NOT like this new
attitude.
INT. RILEY’S HEADQUARTERS
ANGER
Oh I’ll show you attitude, old man.
INSIDE OUT
51.
FEAR
No, no, no! Stay happy!
Anger shoves him away and hits a button.
INT. KITCHEN TABLE
RILEY
What is your problem? Just leave me
alone.
INT. DAD’S HEADQUARTERS
DAD’S FEAR
Sir! Reporting high levels of sass!
DAD’S ANGER Take it to DEFCON 2.
Sirens begin to BLARE.
DAD’S FEAR
You heard that, gentleman. DEFCON 2.
INT. KITCHEN TABLE
DAD
Listen young lady, I don’t know
where this disrespectful attitude came from...
INT. RILEY’S HEADQUARTERS
ANGER
You want a piece of this, Pops?
Come and get it!
Anger grasps two levers with all his might.
INT. KITCHEN TABLE
RILEY Yeah, well... well...
INT. DAD’S HEADQUARTERS
DAD’S ANGER
Here it comes... Prepare the Foot!
INSIDE OUT 52.
Dad’s Emotions uncover “Launch Station” buttons, insert keys.
DAD’S FEAR
Keys to safety position! Ready to
launch on your command, Sir!
INT. RILEY’S HEADQUARTERS
ANGER, flames and yell at full blast, pushes up the levers.
INT. KITCHEN TABLE
RILEY Just SHUT UP!
Dad and Mom are shocked. INT. DAD’S HEADQUARTERS
FIRE!
INT. KITCHEN TABLE
DAD’S ANGER
DAD
That’s it, go to your room! Now!
Riley pushes away from the table and goes upstairs in a huff.
INT. DAD’S HEADQUARTERS
DAD’S FEAR
The Foot is down! The Foot is down!
They all CHEER.
DAD’S ANGER
Good job gentlemen. That could have
been a disaster.
INT. MOM’S HEADQUARTERS
MOM’S SADNESS Well, that was a disaster.
Mom’s Anger recalls a memory: the Brazilian helicopter pilot.
HELICOPTER PILOT Come fly with me, gatinha.
INSIDE OUT 53. They all SIGH.
INT. HALLWAY - CONTINUOUS Riley slams her bedroom door.
EXT. MIND WORLD, LIGHTLINE
In the distance, Family Island RUMBLES.
Joy and Sadness have made it across Goofball Island and must now walk across the thin lightline. Below is the darkness of the Memory Dump.
SADNESS
We’re gonna walk out there? On
that?
JOY
It’s the quickest way back.
SADNESS
But it’s right over the Memory
Dump. If we fall we’ll be forgotten forever!
JOY
We have to do this. For Riley. Just
follow my footsteps.
SADNESS Hohh... ok.
JOY
(stepping onto lightline)
It's not that high. It’s totally fiii... Whoa...
She loses her balance. Almost drops a memory over the side. Sadness steps out onto the lightline. They inch along.
INT. RILEY’S ROOM - LATER
Dad knocks on Riley’s door, peeks in.
DAD Hey.
Riley’s in her sleeping bag. She doesn’t answer.
INSIDE OUT
54.
DAD (CONT’D)
So uh, things got a little out of
hand downstairs. You want to talk about it?
(still no answer)
Come on. Where’s my happy girl?
Monkey.
(he tries monkey noises) INT. HEADQUARTERS
ANGER
He’s trying to start up Goofball.
Fear looks at the empty Core Memory Holder, then out the window: GOOFBALL ISLAND is dark and silent.
INT. RILEY’S ROOM
DAD Come on.
(tries more monkey noises) Riley looks at Dad, but TURNS AWAY.
EXT. GOOFBALL ISLAND
Goofball Island crumbles and breaks.
EXT. GOOFBALL ISLAND LIGHTLINE
Joy sees the lightline breaking ahead.
JOY
Ahhh! Go back! RUN! RUN! RUN!
They run back onto Goofball Island as the lightline crumbles.
EXT. GOOFBALL ISLAND
Joy and Sadness frantically outrun collapsing debris.
EXT. LONG-TERM MEMORY CLIFF EDGE
They leap across the buckling bridge, making it over to the cliff just in time to see Goofball Island fall into the dump.
INSIDE OUT
55.
JOY What-- ?
Joy watches it sink. FLASH CUTS of Young Riley:
* Riley twirling until she falls over.
* The family jumping on a trampoline.
* Riley riding on Dad’s shoulders, making silly faces with
ice cream all over her face.
INT. RILEY’S ROOM - CONTINUOUS
DAD
I get it, you need some alone time.
We’ll talk later.
INT. HEADQUARTERS
The Emotions stare out the back window in disbelief.
DISGUST
We have a major problem.
FEAR
Ohh, Joy where are you?
EXT. LONG-TERM MEMORY CLIFF EDGE
Joy and Sadness stare down into the abyss.
SADNESS
We lost Goofball Island. That means
she can lose Friendship, and Hockey, and Honesty, and Family! You can fix this, right Joy?
JOY I... I don’t know.
(Sadness sighs in despair) But we have to try. C’mon.
The sky darkens.
JOY (CONT’D) Riley’s gone to sleep.
(more sighs from Sadness) ...which is a good thing, when you think about it, because nothing else bad can happen while she’s asleep! We’ll be back to Headquarters before she wakes up. We’ll just go across Friendship Island.
INSIDE OUT 56.
Shelves jut out over the cliff edge, making Friendship Island inaccessible.
SADNESS
We’ll never make it, hoh... nooo...
JOY
No, no, no, don’t obsess over the
weight of life’s problems, remember the funny movie where the dog dies?!
Sadness face plants.
JOY (CONT’D)
Uhhh, Sadness, we don’t have time
for this.
She looks to her side. Memory shelves wind into the distance. Joy heads off into the maze.
JOY (CONT’D)
We’ll just have to go around! Take
the scenic route.
SADNESS
Wait! Joy, you could get lost in
there!
JOY Think positive!
SADNESS
Okay. I’m positive you will get
lost in there. That’s Long-Term Memory. An endless warren of corridors and shelves. I read about it in the manuals.
Joy stops. Sadness is right. But wait!
JOY
The manuals? The manuals! You read
the manuals!
SADNESS Yeah...
JOY
So you know the way back to
headquarters!
SADNESS I, guess...
INSIDE OUT
57.
JOY
You are my map! Let’s go! Lead on,
Mind Map! Show me where we’re going!
SADNESS
Okay! Only, I’m too sad to walk.
Just give me a few... hours.
Joy grabs Sadness’ leg and DRAGS her into the shelves.
JOY Which way? Left?
SADNESS
Right.
(Joy turns right)
No. I mean, go left. I said left was right, like “correct.”
JOY Okay.
SADNESS
This actually feels kind of nice.
Joy heads off into the COMPLICATED LABYRINTH ahead of them.
JOY
Okay! Here we go. We’ll be back to
Headquarters before morning. We can do it. This’ll be easy. This is working!
EXT. LONG-TERM MEMORY - LATER
Joy, exhausted, drags Sadness through the maze of shelves.
JOY
This is not working. Are we getting
close?
SADNESS
Yeah. Just another right. And a
left. Then another left, and a right...
JOY
Are you sure you know where we’re
going? Because we seem to be walking AWAY from Headquarters--
DISSOLVE TO:
INSIDE OUT 58.
The SKY BRIGHTENS. Day. And they’re still lost.
JOY (CONT’D) Riley’s awake.
Joy drops a core memory. Sadness reaches to grab it.
JOY (CONT’D)
Ah ah ah, don’t touch, remember? If
you touch them, they stay sad!
SADNESS Oh. Sorry. I won’t...
Joy looks behind her. The bottom row of memories are BLUE.
SADNESS (CONT’D) ...starting now.
JOY
I can’t take much more of this.
MALE FORGETTER (O.S.) Forget ‘em!
JOY Mind Workers!
Joy runs off toward the voice.
SADNESS
But Joy we’re almost... ohhhh.
EXT. LONG-TERM MEMORY - LATER
Joy finds two workers vacuuming up memories from the shelves.
FEMALE FORGETTER
Phone numbers. We don’t need all of
these. They’re in her phone.
MALE FORGETTER
Just forget all of that. Please.
Forget it!
JOY
Excuse me. Hi. I need to find
Friendship Island...
FEMALE FORGETTER (pointing to memories)
Look at this. Four years of piano lessons.
INSIDE OUT
59.
MALE FORGETTER Yeah, looks pretty faded.
FEMALE FORGETTER
You know what? Save "Chopsticks”
and “Heart and Soul,” get rid of
the rest.
Zoop! The memories get vacuumed up.
JOY Are you--
FEMALE FORGETTER
U.S. Presidents. What do you think?
MALE FORGETTER
Eh, just keep Washington, Lincoln
and the fat one.
FEMALE FORGETTER Forget ‘em!
JOY
Hey! You can’t throw those away!
Those are perfectly good memories.
MALE FORGETTER
The names of every “Cutie Pie
Princess” doll?
JOY
Yes! That is critical information!
Glitterstorm, Honeypants, Officer Justice...
FEMALE FORGETTER Forget ‘em!
He vacuums up the memories behind Joy.
EXT. CLIFFSIDE - CONTINUOUS
The memories shoot out a sewer pipe and fall into the
darkness of the Memory Dump.
EXT. LONG-TERM MEMORY - CONTINUOUS
JOY
Hey! Bring those back.
INSIDE OUT
60.
FEMALE FORGETTER They’re in the dump. Nothing comes
back from the dump.
MALE FORGETTER
Yeah. Look lady, this is our job,
OK?
FEMALE FORGETTER When Riley doesn’t care about a
memory, it fades.
JOY Fades?
FEMALE FORGETTER Happens to the best of ‘em.
MALE FORGETTER (pulls memory from a cart)
Except for this bad boy! This one will NEVER fade.
JOY (recognizing it)
The song from the gum commercial?
MALE FORGETTER (conspiratorial)
Sometimes we send that one up to headquarters for no reason.
FEMALE FORGETTER
It just plays in Riley’s head over
and over again. Like a million times! Ha! Let’s watch it again!
She rewinds it and plays it again. They sing along.
MALE FORGETTER Tripledent gum will make you smile!
Tripledent gum! It lasts a while! Tripledent gum will help you, mister, to punch bad breath right in the kisser.
JOY
We all know the song. Okay. Yup.
Real catchy.
MALE FORGETTER (to Female Forgetter)
What do ya think? Should we do it?
INSIDE OUT
61.
FEMALE FORGETTER Yeah! Ha ha!
MALE FORGETTER OK, here we go! Ha ha ha!
He tips the gum memory into the inner workings of the shelf. FWOOM! It shoots up towards Headquarters.
INT. HEADQUARTERS - CONTINUOUS
Fear, Anger and Disgust are having a peaceful morning. The memory drops into Headquarters, playing at full volume.
GUM MEMORY
Tripledent gum will make you smile!
Tripledent gum! It lasts a while--
ANGER Wha-- this again!?!
INT. LONG-TERM MEMORY
The Forgetters walk away, laughing and singing.
JOY (following them)
Wait! Do you know how to get to Friendship Island?!
INT. RILEY’S ROOM - DAY
Riley, laptop on her stomach, hums the Tripledent gum song.
MEG (O.S.) (on the computer)
Do you like it there? Did you feel any earthquakes? Is the bridge cool?
RILEY
Yeah, it’s good. What happened with
the playoffs?
MEG
We won the first game. Coach says
we might actually go to the finals this year. Oh, and we’ve got this new girl on the team. She’s so cool.
INSIDE OUT
INT. HEADQUARTERS
DISGUST
Oh, she did NOT just say that.
FEAR
A NEW GIRL? Meg has a new friend
already?! Anger GROWLS.
DISGUST
Hey hey, stay happy! We do NOT want
to lose any more islands here guys!
INT. RILEY’S ROOM
MEG
We can pass the puck to each other
without even looking. It’s like mind reading!
INT. HEADQUARTERS
ANGER
You like to read minds, Meg? I got
something for you to read right here! (grabbing the controls)
DISGUST
No no no, what are you doing?!
FEAR
Wait, wait-- let’s just be calm for
one second--
Anger snaps Fear’s nose like a rubber band. Anger slams the controls forward like a lunatic.
ANGER GAAAAAA!!!!
INT. RILEY’S ROOM
MEG (O.S.)
I heard they have parrots living in-
RILEY I gotta go.
62.
INSIDE OUT
63.
MEG What?
RILEY I GOTTA GO.
Riley slams down the computer and SCOWLS.
EXT. LONG-TERM MEMORY
Joy follows the Forgetters, trying to get directions. They ignore her, singing the gum-commercial jingle.
A horrible mechanical GROANING sound. Joy reacts.
JOY What...?
EXT. LONG-TERM MEMORY
Joy rounds a corner and sees Friendship Island crumbling.
JOY Friendship Island?
The FRIENDSHIP CORE MEMORY Joy holds fades. She runs forward.
JOY (CONT’D)
Wh-- ?
She looks on in horror as Friendship Island falls.
JOY (CONT’D) Ohh, not Friendship.
Joy hugs the core memories. One of them is memory of young Riley and Meg walking together.
SADNESS
Oh, Riley loved that one. And now
it's GONE. Goodbye friendship, hello loneliness.
Joy sees Hockey Island in the distance.
JOY
(trying to stay positive)
We’ll just have to go the long way.
They turn to look back into the deep memory shelves.
INSIDE OUT
64.
SADNESS
Yeah. The long, long, looong way.
I’m ready.
Sadness lies down on the ground, offering her leg. Joy sighs. She doesn’t want to do this again.
JOY Ah, yes.
(pulling Sadness)
There’s gotta be a better way.
BING BONG (O.S.) (talking to the memories)
Ohhh, look at you, you’re a KEEPER!
JOY Huh?
Joy sees a strange figure up ahead, gathering memories.
BING BONG
I will take you, but not you.
(beat)
Oh who am I kidding, I can’t leave
you!
JOY Hello!
The figure sees Joy -- and bolts.
JOY (CONT’D) Wait! Hey, wait! Stop!
Joy chases after him.
EXT. LONG-TERM MEMORY DEAD END
Joy rounds a corner to find the figure crouched on the ground, hiding his face in his hands like a three year old.
JOY Excuse me...?
BING BONG (jumping up; cornered)
Ahhhh! Uh, I (grabs a --DIVERSION!
He THROWS IT and makes
was looking for, uh-- memory)
a run for it.
INSIDE OUT
65.
BING BONG (CONT’D) Ha ha! So long, sucker!
He immediately crashes into a cart of memories.
BING BONG (CONT’D) Ow! Oww, I hurt all over.
JOY Wait. I know you.
BING BONG
No you don’t. I get that a lot, I
look like a lot of people.
JOY
No, I do! Bing Bong! Riley’s
Imaginary Friend!
BING BONG You really DO know me!
JOY
Well of course! Riley loved playing
with you, you two were best friends! Oh! You would know. We’re trying to get back to Headquarters...
BING BONG Headquarters? You guys are from
Headquarters?
JOY (mock modesty)
Well, yeah. I’m Joy. This is Sadness.
BING BONG You’re Joy? THE Joy?
JOY Mm-hmm.
BING BONG
Well what the heck are you doing
out here?
JOY
That's a good question! You want to
answer that, Sadness?
INSIDE OUT
66.
BING BONG
Without you, Riley won’t ever be
happy. We can't have that, we gotta get you back! I’ll tell you what, follow me.
JOY Oh, thank you!
EXT. LONG-TERM MEMORY
Bing Bong leads them on through the memory shelves.
JOY
It is so great to see you again. I
gotta tell you, I am such a huge fan of your work. Do you remember when you and Riley were in a band?
FLASH CUTS of their adventures:
*Riley bangs on pots and pans, Bing Bong plays his trunk.
JOY (V.O.)
I went to all of your concerts.
BING BONG (V.O.) Yeah, I blow a mean nose.
*Bing Bong runs on ceiling, Riley chases after him.
JOY (V.O.)
Watching you play tag was such a
treat.
BING BONG (V.O.) Two-time world champ.
*Riley and Bing Bong sit in her wagon (”rocket”).
JOY (V.O.)
Oh, and remember your rocket?!
BING BONG (V.O.)
Of course! It runs on song power.
JOY
That’s right, your theme song!
(singing)
Who's your friend who likes to
play?
INSIDE OUT
67.
BING BONG (sings)
BING BONG BING BONG!
JOY
His rocket makes you yell “Hooray!”
BING BONG/JOY BING BONG BING BONG!
Sadness eyes Bing Bong, who is a pink elephant made with a cat tail.
SADNESS
What exactly are you supposed to
be?
BING BONG
You know, it’s unclear. I’m mostly
cotton candy, but shape-wise, I’m part cat, part elephant, part dolphin.
JOY Dolphin?
Bing Bong does a spot-on dolphin impression.
BING BONG
You gotta remember, when Riley was
three, animals were all the rage. The cow goes moo. The horse goes neigh. That’s all people talked about back then.
JOY
Yeah, I guess that’s true. What are
you doing out here?
BING BONG
Well, there’s not much call for
imaginary friends lately, so, uh, you know, I’m...
JOY
Hey, hey, don’t be sad. Tell you
what, when I get back up to Headquarters, I’ll make sure Riley remembers you.
BING BONG You will?!
INSIDE OUT
68.
JOY
Of course, she’d love that!
BING BONG
Ha ha! This is the greatest day of
my life!
He launches into a jig, but hurts himself and bursts into tears. Candy pours out of his tear ducts.
JOY Are you okay?
SADNESS What’s going on?
BING BONG
I cry candy. Try the caramel, it’s
delicious.
JOY Ooo.
(fumbles memories) Woah!
BING BONG Oh-- here-- use this.
(offers his satchel)
JOY Thanks!
BING BONG
Oh, hold on. Wait a second.
He empties out an impossible amount of stuff: tons of memories, a boot, an anchor, a cat... Joy and Sadness stare in amazement.
BING BONG (CONT’D) What? It’s imaginary.
Joy accepts the satchel and puts in the core memories.
JOY
Thanks! This’ll make it a lot
easier to walk back to Headquarters.
BING BONG
Walk? We’re not walkin’! We’re
taking the Train of Thought!
He points to the train speeding towards Headquarters.
INSIDE OUT
69.
JOY
The train, of course! That is so
much faster! But how do we catch it?
BING BONG
Well, it kind of goes all over the
place, but there is a station in Imaginationland. I know a short cut. Come on, this way!
JOY
I’m so glad we ran into you!
A giant BUILDING blocks their progress. Bing Bong opens a door. It’s dark inside.
BING BONG
The station is right through here.
The train station is visible through a door on the other side.
After you.
Joy...
What?
BING BONG (CONT’D)
SADNESS
JOY
SADNESS
manual. We shouldn’t go in there.
JOY
Bing Bong says it’s the quickest
way to Headquarters.
SADNESS
No, but Joy, this is Abstract
Thought.
BING BONG
What’re you talking about? I go in
here all the time. It’s a shortcut, see?
He points to a “Danger” sign above the door.
BING BONG (CONT’D) D-A-N-G-E-R: shortcut. I’ll prove
it to you.
(he climbs in)
I read about this place in the
(MORE)
INSIDE OUT
70.
BING BONG (CONT’D) Look at me! I’m closer to the station ‘cause I’m taking the
shortcut!
SADNESS
Let’s go around. This way.
She points: the building is huge -- it’s a long way around.
BING BONG Almost there...!
Joy looks back at Bing Bong. The station is right there.
JOY (to Sadness)
If you want to walk the long way, go for it. But Riley needs to be happy. I‘m not missing that train.
(walks in)
Bing Bong knows what he’s doing.
He's part dolphin. They're very
smart.
SADNESS Well, I guess...
She climbs in.
EXT. SCHOOL LUNCH YARD - LUNCHTIME
Riley carries her lunch tray outside. The yard is full of chatty, happy kids, but Riley finds an empty bench and eats by herself.
EXT. ABSTRACT THOUGHT BUILDING - HATCH DOOR - MOMENTS LATER Two Mind Workers approach the same door our trio entered.
ABSTRACT WORKER #1 Okay, what abstract concept are we
trying to comprehend today?
ABSTRACT WORKER #2 (checking a clipboard)
Um... loneliness.
ABSTRACT WORKER #1
Hm. Looks like there’s something in
there. I’m going to turn it on for a minute and burn out the gunk.
INSIDE OUT 71. She closes the door.
INT. ABSTRACT THOUGHT BUILDING
BING BONG
What’d I tell ya? You’ll be at
Headquarters in no time.
BAM! The door closes behind them. The LIGHTS GO ON.
BING BONG (CONT’D) Say, would you look at that!
Around them, strange SHAPES float into space.
JOY
Whoa! What's happening?!
SADNESS
Oh no. They turned it on.
BING BONG
Huh! I’ve never seen this before.
Bing Bong’s head turns into a Picasso-like form. Joy and Sadness scream as they become Cubist versions of themselves.
BING BONG (CONT’D) My face! My beautiful face!
JOY What is going on?
SADNESS
We’re abstracting! There are four
stages. This is the first: non- objective fragmentation!
BING BONG
Alright, do not panic! What is
important is that we all STAY TOGETHER.
His arm falls off.
JOY Ah!
Joy’s head falls off. Sadness’ leg goes. She topples.
SADNESS
We’re in the second stage: we’re
deconstructing!
INSIDE OUT
72.
BING BONG
Run!
Bing Bing falls into pieces.
BING BONG (CONT’D) Aaah! I can’t feel my legs!
(his disassembled arm finds them)
Oh, there they are.
JOY Come here, me!
They gather their pieces as they rush to the exit.
SADNESS
We’ve gotta get out of here before
we’re nothing but shape and color! We’ll get stuck here forever!
JOY
“Stuck?!” Why did we come in here?!
BING BONG
I told you, it’s a shortcut!
Though the window, the TRAIN OF THOUGHT pulls in.
JOY The train!
POP! They change into FLAT COLOR VERSIONS of themselves.
SADNESS
Oh no... We’re two-dimensional!
That’s stage three!
JOY
We’re getting nowhere!
BING BONG Depth! I’m lacking depth!
It’s hard to move. They struggle towards the window.
JOY Come on!
Sadness and Bing Bong follow and try to squeeze through. But because of the broken perspective, they are now all HUGE compared to the door.
INSIDE OUT
73.
JOY (CONT’D) AUGH! We can’t fit!
POP! They abstract into ABSTRACT COLORED BLOBS.
SADNESS
Oh no, we’re nonfigurative. This is
the last stage!
BING BONG
We’re not going to make it!
Sadness slumps to the ground... and becomes a line!
SADNESS
Wait! We’re two dimensional. Fall
on your face!
(crawls like an inchworm)
JOY Oh!
They follow Sadness and inch safely out the window.
EXT. ABSTRACT THOUGHT BUILDING
The three lines land outside just as the train pulls out. They get up to go, but as lines they can barely move.
JOY
Wait! Stop! Stop! STOP!
POP! Joy goes from non-representational to two-dimensional. She falls down flat as the train speeds off.
POP! The three transform back to normal.
JOY (CONT’D) (to Bing Bong)
I thought you said that was a shortcut.
BING BONG
I did, but wow, we should NOT have
gone in there. That was dangerous! They really should put up a sign.
JOY
How long till the next train?
BING BONG
Who knows? But don’t worry. There’s
another station. That way! (MORE)
INSIDE OUT
74.
BING BONG (CONT'D) (points O.S.)
The train always stops there right before it goes to Headquarters. If we hurry, we can catch it!
JOY
This isn’t another one of your
short cuts, is it?
BING BONG (laughing exuberantly)
Yeah!
Joy skeptically watches him head off.
JOY (to Sadness)
Is there really another station?
SADNESS Uh-huh. Through there.
Bing Bong leads them towards the impressive gates of...
BING BONG Welcome to Imaginationland!
INT. IMAGINATIONLAND - CONTINUOUS
JOY Imaginationland?
BING BONG
Sure! I come here all the time. I’m
practically the mayor. Hey, you guys hungry? There’s French Fry Forest!
(starts eating)
Nom nom nom, delicious!
Joy is loving this.
JOY No way!
BING BONG
Check it out! Trophy Town! Medals!
Ribbons! Everyone’s a winner!
Bing Bong kicks a soccer ball into a giant goal and workers appear out of nowhere to shower him with awards.
INSIDE OUT
75.
BING BONG (CONT’D) I won first place!
Workers give Joy a medal and Sadness a ribbon.
JOY Me too!
SADNESS
Hohh... Participation award...
JOY
Wait, is that-- Sadness, look, it’s
Cloud Town! That is my favorite!
Joy rips off a chunk of cloud and floats up into the air.
JOY (CONT’D) It's so soft!
Joy jumps down and runs off.
BING BONG Woah! Let me try!
Bing Bong rips off some cloud. A CLOUD MAN emerges from the house, angry.
CLOUD MAN
Hey! What’s the big idea? You’d
better fix that wall, or else you’re in big troub--
POOF! Bing Bong blows the Cloud Man away and walks off nervously.
EXT. IMAGINATIONLAND, LAVA DAYDREAM
Joy and Bing Bong gleefully jump between couch cushions.
JOY BING BONG
Oh no, lava! Whooo! Whawhoooo! Imaginationland is
the best! Sadness tries to jump to a rock, barely makes it.
SADNESS
Is it all going to be so
interactive?
*
INSIDE OUT 76.
EXT. IMAGINATIONLAND, HOUSE OF CARDS
BING BONG
Hey, look! The House of Cards!!
Ooh, wait, hang on just a minute...
From a nearby garage made of cards, Bing Bong pulls a wagon.
JOY Your rocket!
BING BONG
Yeah! I stashed it in there for
safekeeping. Now I’m all set to take Riley to the MOON!
He gestures proudly -- accidentally knocking over the house.
BING BONG (CONT’D) Oh, I’m sorry.
Great.
EXT. IMAGINATIONLAND
HOUSE OF CARDS WORKER
JOY
I love Imaginationland!
BING BONG
Isn’t it great? And there’s always
something new, like...
A giant machine. A conveyer belt reveals a handsome teenager.
BING BONG (CONT’D) Who the heck is that?
BOYFRIEND GENERATOR WORKER Imaginary Boyfriend.
IMAGINARY BOYFRIEND I would die for Riley.
Joy grimaces.
BING BONG
I’ve never seen him before.
IMAGINARY BOYFRIEND I live in Canada.
INSIDE OUT
77.
BING BONG
Anyway. This way, through Preschool
World! We’re nearly to the train!
JOY Riley, here we come!
EXT. HOCKEY RINK - FOOT OF GOLDEN GATE BRIDGE -- SUNSET
INT. HOCKEY RINK - BLEACHERS - CONTINUOUS Mom and Riley sit on the bleachers.
MOM
This should be fun. New team, new
friends! These kids look pretty good -- considering they're from San Francisco. Heh heh!
HOCKEY COACH (O.S.) Okay Andersen, you're up!
RILEY I gotta go.
Riley heads onto the ice.
MOM
Okay. Good luck, sweetie!
INT. HEADQUARTERS
DISGUST
Luck isn’t gonna help us now. If
she tries to use Hockey Island, it’s going down.
FEAR
Which is why I’ve recalled every
hockey memory I can think of.
The Emotions are standing ankle deep in memories.
FEAR (CONT’D)
One of these has got to work in
place of the core memory. O.S. Hockey whistle.
ANGER/DISGUST She’s about to play!/Hurry!
INSIDE OUT 78.
Fear loads a memory into the core holder.
INT. HOCKEY RINK
Riley skates onto the ice.
INT. HEADQUARTERS
Out the window, Hockey Island lights up feebly.
FEAR
Ha ha! We did it gang! It’s working--
BOOM! The Core Memory Holder ejects a memory, slamming Anger in the face. Hockey Island shakes. Fear SHRIEKS.
INT. HOCKEY RINK
Riley struggles to dribble the puck.
HOCKEY COACH
Line change! Line change! Change it
up! Change it up!
INT. HEADQUARTERS
Fear frantically loads memories into the Holder, which spits them out like dodge balls. Disgust and Anger run for cover.
The Holder spins furiously, flinging Fear against the window. Memories pelt him.
DISGUST
(hiding behind a sofa)
It’s like we don't learn anything. INT. HOCKEY RINK
HOCKEY COACH Let’s pick it up out there!
Riley attempts to slap the puck, misses, and TRIPS. INT. HEADQUARTERS
ANGER That’s it!
INSIDE OUT
79.
FEAR
No, no, no, breathe! Find your
happy place--
Anger grabs Fear by the neck and ricochets him off the console, then furiously takes the controls.
INT. HOCKEY RINK
Riley angrily throws her stick to the ice and skates off. The other players stop and watch.
INT. HOCKEY RINK - BLEACHERS - CONTINUOUS
Mom stands up, concerned.
Riley heads to the stands and removes her skates.
MOM Riley, what’s wrong?
RILEY Let’s go.
MOM
You’re not going to finish tryouts?
RILEY What’s the point?
MOM
Hey, it’ll be alright. Let’s just--
RILEY
Stop saying everything will be
alright!
Riley stomps towards the exit. She looks back at the rink. All the players cheer and high five.
Riley turns away from the rink and walks out.
INT. IMAGINATIONLAND, PRESCHOOL WORLD ENTRANCE
Boom! Joy turns around and watches Hockey Island crumble.
JOY
Hockey? Oh no... no, she loves
hockey. She can’t give up hockey.
Joy pulls out the HOCKEY CORE MEMORY: Riley’s first goal.
INSIDE OUT 80.
INT. IMAGINATIONLAND, PRESCHOOL WORLD
JOY
Bing Bong, we have to get to that
station.
BING BONG
Sure thing. This way, just past
Graham Cracker Castle. Hey. That’s weird. Graham Cracker Castle used to be right here. I wonder why they moved it?
He walks on, concerned, LEAVING HIS WAGON BEHIND HIM.
BING BONG (CONT’D) Wow, that’s not... I would have sworn Sparkle Pony Mountain was
right here. Hey, what’s going on?
JOY
Yeah, yeah, I dunno, we’ll have to
come back--
BING BONG Princess Dream World!
A wrecking ball hits a pink castle. Glitter dust plumes.
BING BONG (CONT’D)
Oh no! The Stuffed Animal Hall of
Fame!
RIIIP! The head of a bear comes off. Too late, Bing Bong notices some construction workers CARRYING AWAY HIS ROCKET.
BING BONG (CONT’D)
My rocket!
(running after them)
Wait! Riley and I, we’re still using that rocket! It still has some song power left!!
(sings)
Who's your friend who likes to
play?
THE ROCKET RESPONDS weakly, propelling it forward. The workers toss it onto a junk pile. A bulldozer pushes the pile towards the CLIFF EDGE.
BING BONG (CONT’D)
Nooo!!! No! No! No! You can’t take my
rocket to the dump! Riley and I are going to the MOON! Ahhh!
INSIDE OUT 81.
Over it goes, into the darkness.
BING BONG (CONT’D) Riley can’t be done with me.
Bing Bong sits, stunned. Joy approaches gingerly.
JOY
Hey, it’s going to be okay. We can
fix this! We just need to get back to Headquarters. Which way to the train station?
BING BONG (still stunned)
I had a whole trip planned for us. Joy tries another tactic.
JOY
Hey, who’s ticklish, huh? Here
comes the tickle monster... No response.
JOY (CONT’D)
Hey! Bing Bong, look at this!
Dohoioih!
She makes a silly face. Nothing.
JOY (CONT’D)
Oh, here’s a fun game! You point to
the train station and we all go there! Won’t that be fun? Come on, let’s go to the train station!
Joy walks off, attempting to lead.
SADNESS
(sits beside Bing Bong)
I’m sorry they took your rocket.
They took something It’s gone, forever.
JOY Sadness, don’t make
SADNESS
Sorry.
It’s all I had left of Riley.
BING BONG
that you loved. him feel worse.
INSIDE OUT
82.
SADNESS
I bet you and Riley had great
adventures.
BING BONG
They were wonderful. Once we flew
back in time. We had breakfast twice that day.
SADNESS
That’s sounds amazing. I bet Riley
liked it.
BING BONG
Oh she did. We were best friends.
SADNESS Yeah. It’s sad.
Bing Bong puts his head on Sadness’ shoulder and CRIES. Sadness keeps her arm around him until he’s done.
BING BONG I’m okay now.
(stands)
C’mon, the train station is this
way.
He walks off. Joy and Sadness follow.
JOY
How did you do that?
SADNESS
I don’t know. He was sad, so I
listened to what--
BING BONG (O.S.) Hey, there’s the train!
INT. TRAIN CAR - DAY
Our trio climb aboard just as the train moves.
JOY
We made it! We’re finally going to
get home!
Twirling, she knocks over two boxes labeled “FACTS” and “OPINIONS.” Small objects spill out of both.
INSIDE OUT
83.
JOY (CONT’D)
Oh no! These Facts and Opinions
look so similar!
He dumps them into the “FACTS” box.
BING BONG
Eh, don’t worry about it -- happens
all the time.
INT. RILEY’S ROOM - NIGHT
Riley drops her gear and throws herself on her sleeping bag.
INT. HEADQUARTERS
DISGUST
On a scale of one to ten, I give
this day an F.
ANGER
Well why don’t we quit standing
around and DO something?
DISGUST Like what, genius?
Fear enters with a suitcase.
FEAR
Like quitting! That’s what I’m
doing.
He stomps on the recall button.
FEAR (CONT’D)
Sure, it’s the coward’s way out.
But this coward is gonna survive!
The tube drops over him, but pummels Fear with dozens of memories. The tube shuts off and retracts. Fear drops to the floor in pain.
DISGUST
Emotions can’t quit, genius.
Fear spits up a memory.
DISGUST (CONT’D)
Euch! I thought we were supposed to
be keeping Riley happy.
INSIDE OUT
84.
ANGER
Wait a minute. Wait a minute!
Anger runs to the back and rummages through the ideas.
Ah ha!
ANGER (CONT’D)
FEAR What is it?
ANGER
(holds up the lightbulb)
Oh nothing. Just the best idea ever.
What?
DISGUST
ANGER
All the good core memories were
made in Minnesota. Ergo, we go back to Minnesota and make more. Ta-da!
FEAR
Wait. You’re saying we run away?
ANGER
Well, I wouldn’t call it that. I’d
call it, “The Happy Core Memory Development Program.”
FEAR
You can’t be serious.
ANGER
Hey. Our life was perfect until Mom
and Dad decided to move to San Fran Stinktown.
FEAR
But, I mean, it’s just so drastic!
ANGER
Need I remind you of how great
things were there? Our room? Our back yard? Our friends?
He punches up a memory. It plays on the screen.
GUM MEMORY
Tripledent gum will make you smile!
Tripledent gum it lasts--
INSIDE OUT
85.
ANGER
Did I ASK for the gum
commercial?!?!
(he ejects the memory)
Anyway, it was better, that’s my point.
DISGUST (considering)
Riley was happier in Minnesota...
FEAR
Wait, hold on. Shouldn’t we just
sleep on this or something?
ANGER
Fine. Let’s sleep on it. Because
hey, I’m sure jolly fun-filled times are just around the corner.
INT. RILEY’S ROOM - NIGHT Riley goes to sleep.
EXT. LONG-TERM MEMORY CLIFFS The train slows to a stop.
JOY Huh?
The engineer and his assistant hop off the engine.
JOY (CONT’D)
Hey hey! Why aren’t we moving?
TRAIN ENGINEER
Riley’s gone to sleep. We’re all on
break.
SADNESS
You mean we’re stuck here until
morning?
BING BONG
Yeah, the Train of Thought doesn’t
run while she’s asleep.
JOY
Oh, we can’t wait that long!
INSIDE OUT
86.
SADNESS
How about we wake her up?
JOY
Sadness, that’s ridiculous. How
could we possibly...
She follows Sadness’ gaze and spots DREAM PRODUCTIONS.
JOY (CONT’D) How about we wake her up!?
SADNESS Great idea, Joy.
JOY Thanks. Come on!
EXT. DREAM PRODUCTIONS - NIGHT
Pan down from the DREAM PRODUCTIONS GATE: a busy backlot.
JOY
Whoa! This place is huge.
SADNESS
Yeah, it looks so much smaller than
I expected.
They walk past dream “movie posters.”
BING BONG
Whoa! “I Can Fly”? I love that one!
Joy spots a Unicorn sitting in a director’s chair.
JOY
Rainbow Unicorn! She’s RIGHT THERE!
Joy tries to play it cool as they walk past.
SADNESS
My friend says you’re famous. She
wants your autograph.
JOY
No, no, Sadness, don’t bother Miss
Unicorn, okay? (to unicorn)
Sorry, she’s from outta town. So embarrassing, right?
She pushes Sadness away. Joy pops back in.
INSIDE OUT
87.
JOY (CONT’D)
I loved you in Fairy Dream
Adventure Part 7. Okay, bye. I love you.
They reach STAGE B. A sign below a red flashing light reads, “DO NOT ENTER WHEN LIGHT FLASHING.”
BING BONG
Huh. Wonder what that means. Oh
well, let’s go in! They enter.
INT. STAGE B - BUSTLING SOUND STAGE
Workers scramble to get ready for the production. A Director distributes scripts.
DREAM DIRECTOR (O.S.) Set up the classroom set! Today’s
memories are in, we’ve got a lot to work with here. Riley dumped her best friend, had a miserable day at school, and quit hockey. The writers have put together a killer script!
INT. STAGE B - COSTUME AREA
Joy cringes at the news as the three hide behind costumes.
INT. HEADQUARTERS
Fear enters drinking tea.
FEAR (grumbling to self)
Just because Joy and Sadness are gone, I have to do stupid dream duty...
INT. STAGE B - COSTUME AREA
Joy, Sadness and Bing Bong watch from behind boxes.
JOY
Okay, how are we gonna wake her up?
INSIDE OUT
88.
SADNESS
Well, she wakes up sometimes when
she has a scary dream. We could scare her.
JOY
Scare her? No no, she’s been
through enough already.
SADNESS But Joy--
JOY
Sadness you may know your way
around down here, but I know Riley! We’re gonna make her so happy she’ll wake up with exhilaration! We’ll excite her awake!
SADNESS
That’s never happened before.
Joy spots a nearby dog costume and tosses it to Sadness.
JOY
Ooh, Riley loves dogs. Put this on!
SADNESS
I don’t think that’ll work.
JOY Bing Bong.
BING BONG
Yeah?
She gives him the satchel containing the CORE MEMORIES.
JOY
Don’t let anything happen to these.
Got it!
BING BONG
INT. STAGE B - STAGE AREA, CLASSROOM SET DREAM DIRECTOR checks the monitor.
DREAM DIRECTOR
Mm hm. Add the reality distortion
filter.
INSIDE OUT 89.
A WORKER slips a filter over the camera lens, transforming the MIND WORKERS into replicates of Riley’s classmates.
DREAM DIRECTOR (CONT’D)
Love it.
(to actors)
Remember, play to the camera, everyone! Riley is the camera! Makeup, get out of there, we are on in 5,4,3...
A UNION HARP PLAYER strums: the dream is starting.
From the camera’s POV: the classroom set. STUDENTS at desks. An EXTRA playing Riley’s teacher reads cue cards badly.
EXTRA
Hello class. Before we begin
today’s pop quiz, which counts for 90% of your final grade...
INT. HEADQUARTERS - CONTINUOUS
FEAR
Man, she is one bad actress.
INT. STAGE B - CLASSROOM SET
The CUE CARD GUY flips over the next card.
EXTRA
...I want to introduce our new
student. Riley. Would you like to stand up and introduce yourself?
DREAM DIRECTOR
Camera.
The camera adjusts as if Riley is standing.
DREAM DIRECTOR (CONT’D) And... cue Riley.
A CREW MEMBER clears his throat and reads into a megaphone.
RILEY VOICE
My name’s Riley Andersen, I’m from
Minnesota and now I live here. A STUDENT points to the camera.
INSIDE OUT
90.
DREAM STUDENT #1
Ew, look! Her teeth are falling out!
A crew member drops handfuls of teeth in front of the camera. INT. HEADQUARTERS
FEAR (dismissive)
Pff, teeth falling out, I'm used to that one. Let me guess, we have no pants on.
ON THE SCREEN:
DREAM STUDENT #2
Hey look! She came to school with
no pants on!
The camera adjusts down to reveal Riley’s bare legs. Riley’s hands try to block them.
FEAR Called it!
INT. STAGE B - BACKSTAGE
Joy and Sadness are in the dog costume, waiting to go on.
JOY Ready?
SADNESS
I don’t think this happy thing is
going to work. But if we scare her--
JOY
Just follow my lead. Here we go!
Joy yanks Sadness onto the set.
INT. STAGE B - CLASSROOM SET
They run around in playful circles. Joy makes puppy noises.
DREAM DIRECTOR (flipping through script)
Who is that?
INSIDE OUT
INT. HEADQUARTERS
FEAR What’s going on?
INT. STAGE B - CLASSROOM SET
Joy and Sadness run around, Joy licking students and barking. Through the reality distortion they look like a happy puppy.
Joy looks at the sleep indicator: Riley is still asleep.
INT. RILEY’S ROOM - CONTINUOUS
Riley is sound sleep.
INT. STAGE B - CLASSROOM SET
JOY
(to Bing Bong)
Psst. You’re on! Go!
Bing Bong pulls a rope. Balloons drop! A colorful backdrop!
JOY (CONT’D)
Woo! Let’s party! Let’s dance. Woo!
91.
INT. HEADQUARTERS
Hey, a party!
INT. RILEY’S ROOM
Riley is still sound asleep.
INT. STAGE B - CLASSROOM SET
On stage, Joy and Sadness run in circles, barking.
SADNESS
Joy, this isn’t working.
Bing Bong knocks over a light, causing spooky uplighting. Sadness tries to stop. The dog costume RIPS IN HALF.
FEAR
INSIDE OUT 92.
INT. HEADQUARTERS
Fear does a spit take. On screen, a real dog is in two pieces.
INT. STAGE B - CLASSROOM SET Joy runs after Sadness.
JOY Huh? Sadness, what
Come back here!
INT. HEADQUARTERS
On screen, the front half of
FEAR It’s just a dream, dream, it’s just a
INT. RILEY’S ROOM
Riley stirs in her sleep.
INT. STAGE B - CLASSROOM SET
are you doing?!
a dog chases the rear half.
it’s just a dream...
DREAM DIRECTOR
They’re trying to wake her up! Call
security!
INT. HEADQUARTERS
Bing Bong appears on screen.
BING BONG (O.S.) Hi Riley, it’s me! Who’s your
friend who likes to play? Bing Bong, Bing Bong!
FEAR Bing Bong?
INT. STAGE B - CLASSROOM SET
Bing Bong slips, tipping over the set wall.
INSIDE OUT
93.
JOY
Sadness! You are ruining this
dream! You’re scaring her!
SADNESS
But look, it’s working!
The SLEEP INDICATOR is starting to tip. Joy’s eyes widen.
JOY Whoa!
But before she can do anything, Security enters.
DREAM DIRECTOR (to Security)
They are not part of this dream! Get them!
Sadness pulls Joy out of harms way as guards GRAB Bing Bong.
DREAM PRODUCTIONS COP #1 Stop right there!
Ow! Hey!
BING BONG
DREAM DIRECTOR (to camera operator)
Pan away! Pan away!
The camera pans away to Rainbow Unicorn making off with a giant cupcake platter from the craft services table.
INT. HEADQUARTERS
Booooo! Pick a plot line!
INT. STAGE B - CLASSROOM SET
Joy and Sadness watch as guards haul off Bing Bong.
EXT. STAGE B
Joy and Sadness exit Stage B.
BING BONG (O.S.)
Ow! Ow! Cut that out. Ow! Please...
you can’t do this! (MORE)
FEAR
INSIDE OUT
94.
BING BONG (O.S.) (CONT'D) Do you like candy? You look hungry.
I can get you candy! Please! Ow. Ow. Ow.
Joy and Sadness watch Bing Bong being dragged far off to the dark, menacing entry of SUBCONSCIOUS.
JOY
No, no no no, there go the core
memories...!
The door opens. SPOOKY LIGHT spills out.
BING BONG
I can’t go in there. I’m scared of
the dark. Please!
He’s thrown in and the door SLAMS SHUT.
Joy and Sadness head after him, down the long stairway.
EXT. SUBCONSCIOUS STAIRS
JOY
What is this place?
SADNESS (hushed tone)
The Subconscious. It’s where they take all the troublemakers.
EXT. SUBCONSCIOUS GATE
Joy and Sadness hide. TWO CLUELESS GUARDS block the gate.
SUBCONSCIOUS GUARD DAVE My hat feels loose.
SUBCONSCIOUS GUARD FRANK Let me see.
How to get in? Sadness has an idea.
EXT. SUBCONSCIOUS GATE
Sadness leads Joy around and behind the guards.
SUBCONSCIOUS GUARD DAVE You got my hat? Or, or is that your
hat?
INSIDE OUT
95.
SUBCONSCIOUS GUARD FRANK Yeah, it’s my hat.
SUBCONSCIOUS GUARD DAVE You sure? I don’t know, look in the
label.
SUBCONSCIOUS GUARD FRANK Yeah, it says, “My Hat.”
SUBCONSCIOUS GUARD DAVE Wait, it says, “My Hat”?
SUBCONSCIOUS GUARD FRANK “My Hat,” it says.
SUBCONSCIOUS GUARD DAVE That’s what I wrote in my hat.
SUBCONSCIOUS GUARD FRANK What are you talking about?
SUBCONSCIOUS GUARD DAVE You’ve got my hat on.
SUBCONSCIOUS GUARD FRANK Okay, but it’s my handwriting--
Sadness loudly SHAKES the door.
Hey! You!
SUBCONSCIOUS GUARD DAVE
SADNESS
Oh! You caught us! Heh.
SUBCONSCIOUS GUARD FRANK Get back in there! No escaping!
The guards shove them through and slam the door.
INT. SUBCONSCIOUS CAVE
Joy gives Sadness an approving nod: nice work.
They head forward. This place is spooky.
SADNESS
I don’t like it here. It’s where
they keep Riley’s darkest fears. Joy spots a dark shape ahead:
INSIDE OUT
96.
JOY It’s broccoli!
Behind them:
SADNESS
The stairs to the basement!
They SCAMPER AWAY like frightened mice.
JOY
Grandma’s vacuum cleaner!
The vacuum gives chase. Joy and Sadness lose it and hide behind a rock.
JOY (CONT’D) (catching her breath)
Okay, come on.
Sadness makes a loud CRINKLING NOISE with each step.
JOY (CONT’D) Would you walk quieter?
SADNESS I’m trying!
JOY What is going--
(looking down) Candy wrappers.
They follow a trail of candy wrappers into the cave to find--
INT. SUBCONSCIOUS CAVE, CLOWN LAIR
--a crying Bing Bong in a balloon cage, atop a large mound.
JOY Bing Bong!
Joy?
BING BONG
JOY There you are.
BING BONG (points)
SHHHHH!
They are standing in front of a giant SLEEPING CLOWN.
INSIDE OUT
97.
JOY (terrified)
It’s Jangles.
JANGLES (talking in his sleep)
Who’s the birthday girl, who’s the birthday girl...
They gingerly approach Jangles. Joy climbs up to Bing Bong.
JOY
Do you have the core memories?
He gives her the satchel. Joy holds them close.
BING BONG
All he cared about was the candy!
Joy helps Bing Bong squeeze through, but the balloon-bars make loud twisting noises. Jangles stirs. Joy freezes. She stretches them further...
Success! Joy and Bing Bong hurry down and the trio rush away.
BING BONG (CONT’D) We’re out of here! Let’s get to
that train.
JOY
Wait. The train’s not running. We
still have to wake up Riley.
SADNESS But how?
Joy and Sadness look back at the clown.
Oh no.
BING BONG
Together, Joy and Sadness approach Jangles and HONK HIS NOSE. His eyes open. He stands. He’s HUGE, towering over them.
JOY (loudly)
H-hhey Sadness, did you hear about the p-pahh-party that we’re having?
SADNESS
Ohhhh yeah, yes Joy! Isn’t it a ba-
bahh... birthday party?
INSIDE OUT
98.
JANGLES
Did you say... birthday?
JOY
And there’s going to be cake, and
presents and--
SADNESS
--and games and balloons--
JANGLES
(pulls out a giant mallet)
A BIRTHDAY?!?!
JOY Okay. Follow us!
All three run towards the gate, followed by the giant clown!
JOY (CONT’D)
Nothing like a good scare to wake
you up, right?
EXT. SUBCONSCIOUS GATE -- CONTINUOUS The guards inspect each others’ hats.
SUBCONSCIOUS GUARD FRANK Okay, but it’s my handwriting.
SUBCONSCIOUS GUARD DAVE No, it isn’t. That’s my handwrit--
I wrote that!
SUBCONSCIOUS GUARD FRANK No, but THIS one’s my handwriting--
BASH! Jangles’ mallet smashes through, laughing maniacally. Our trio run up the stairs, Jangles close behind.
INT. DREAM PRODUCTIONS - STAGE B - MOMENTS LATER
The UNICORN DREAM is mid-production: a Glitter Dance Party, rainbows and sparkles aplenty. The crew is bored.
INT. HEADQUARTERS
Fear is practically asleep.
INSIDE OUT
99.
INT. STAGE B
The set begins to shake. BLAAAM! Jangles crashes in.
JANGLES
WHO’S THE BIRTHDAY GIRL?!?!
INT. HEADQUARTERS
Fear SHRIEKS, bashes a button and passes out.
INT. RILEY’S ROOM - NIGHT Riley bolts upright in bed.
INT. STAGE B
The meter reads “AWAKE.” Joy and Sadness do a happy dance.
BING BONG Come on, let’s go!
They bolt, leaving Jangles gleefully demolishing the sets.
EXT. TRAIN STATION - MOMENTS LATER
Our trio leap aboard just as the train picks up speed.
JOY Ha ha! We made it!
SADNESS Whoo-hoo! Ha ha!
*
JOY
Guess who’s on their way to
Headquarters?!
Joy grabs Sadness and picks her up in celebration.
SADNESS We are!
INT. RILEY’S ROOM - NIGHT
Riley sitting up in bed after being scared awake.
INT. HEADQUARTERS - MORNING
Anger and Disgust come out looking tired, rumpled...
INSIDE OUT
100.
DISGUST What is going on?
ANGER He did it again.
FEAR
(huddled on the floor)
We were at school, and we were naked, and there was a dog, and his back half was chasing him... and then we saw Bing Bong.
ANGER
You idiot! It was a DREAM! This is
ridiculous, we can’t even get a good night sleep anymore. Time to take action.
He goes and gets the Idea Bulb he held up earlier.
ANGER (CONT’D)
Stupid Mom and Dad. If they hadn't
moved us, none of this would've happened. Who’s with me?
Fear stammers nervously. Anger looks to Disgust.
DISGUST Yeah, let's do it.
Anger plugs the Idea Bulb in.
INT. RILEY’S ROOM - NIGHT
Riley gets the idea. She takes out her computer.
INT. HEADQUARTERS
ANGER
She took it. There’s no turning
back.
DISGUST
So, how’re we gonna get to
Minnesota from here?
ANGER
Well, why don’t we go to the
elephant lot and rent an elephant?
INSIDE OUT
101.
FEAR
Hey! That sounds nice!
ANGER
We're taking the bus, nitwit!
INT. RILEY’S ROOM - NIGHT
On her laptop, Riley pulls up the Transway Bus Lines website.
INT. HEADQUARTERS
ANGER
There’s a bus leaving tomorrow.
Perfect.
DISGUST
A ticket costs money. How do we get
money?
ANGER Mom’s purse.
DISGUST You wouldn’t.
ANGER
Oh, but I would. Where was it we
saw it last?
He punches up a memory. It comes up and plays.
GUM MEMORY (O.S.) Tripledent gum will--
ANGER NOOOO!!!
(slams his fist, canceling the memory)
It’s downstairs somewhere. Mom and Dad got us into this mess. They can pay to get us out.
INT. RILEY’S ROOM - NIGHT Riley’s face grows angry.
EXT. MIND WORLD - MORNING
The train speeds ahead. The trio look out the train door.
INSIDE OUT
102.
BING BONG
How about this, huh? Isn’t this
nice? You can see everything from up here! Look, there's Inductive Reasoning. There's Deja Vu. There's Language Processing! There's Deja Vu. There's Critical Thinking! There's Deja Vu. Hey look at this, guys! Memories!
Bing Bong ducks inside the train. Joy looks over to Sadness.
JOY
Hey, that was a good idea. About
scaring Riley awake. You’re not so bad.
SADNESS Really?
JOY Nice work.
Joy turns to sit on a crate inside the train.
JOY (CONT’D)
I can’t wait to get the old Riley
back. As soon as we get there I’m
going to fix this whole mess. Bing Bong looks at a memory.
BING BONG Whoa. Is this Riley?
A RECENT MEMORY: Riley hoisted in the air by her teammates.
BING BONG (CONT’D) She’s so big now. She won’t fit in
my rocket. How’re we gonna get to the moon?
JOY
(taking the memory)
Oh, it's that time in the twisty tree, remember? The hockey team showed up and Mom and Dad were there cheering. Look at her, having fun and laughing. I love this one.
SADNESS
Mmm. I love that one too.
INSIDE OUT
103.
JOY
Atta girl! Now you’re getting it!
SADNESS
Yeah. It was the day the Prairie
Dogs lost the big playoff game. Riley missed the winning shot. She felt awful. She wanted to quit.
Joy’s smile fades.
SADNESS (CONT’D)
Sorry. I went sad again, didn’t I?
JOY
I’ll tell ya what. We’ll keep
working on that when we get back. Okay?
SADNESS
Joy puts the memory in the satchel.
INT. SAN FRANCISCO HOUSE - NIGHT
Riley sneaks down the stairs. Mom is on the phone in the kitchen with her back to Riley.
MOM (on phone)
But I just don’t understand, why did our moving van even go to Texas?
Riley spots Mom’s purse on the table.
MOM (CONT’D) Multiple customers?
Riley opens the purse.
MOM (O.S) (CONT’D) Well, we were promised delivery on
the fifth. Uh-huh.
Riley takes out Mom’s credit card. She pauses. Is she really doing this? Suddenly Mom turns. Riley panics.
Mom looks up. Empty room.
Okay.
INSIDE OUT
104.
MOM (CONT’D) (still on phone)
Excuse me, isn’t there any way that you can rush it?
Riley slips off with the credit card.
EXT. MIND WORLD - CONTINUOUS
The train passes crumbling HONESTY ISLAND.
INT. TRAIN CAR
Honesty Island crashes into the train tracks. Joy, Sadness and Bing Bong scream.
Workers below see the train falling towards them.
WORKER #1 LOOK OUT!
The train CRASHES onto the cliffside. It slips towards the edge. Joy struggles to get up, but the floor is pitching.
Hold on!
BING BONG
Workers grab Joy, Sadness and Bing Bong just as the train slides off the cliff and drops into the dump below.
Joy looks towards Headquarters.
JOY
That was our way home! We lost
another island... what is happening?
WORKER #1
Haven’t you heard? Riley is running
away.
JOY What?!
INT. RILEY’S ROOM - MORNING
Riley packs her clothes when her expression changes to worry.
INSIDE OUT
105.
INT. HEADQUARTERS Fear is driving.
FEAR
Wait, wait, hang on, guys. Are we
really doing this? I mean, this is serious.
Anger pushes Fear aside and works the console.
ANGER (O.S.)
Look. We have no core memories. You
want Riley to be happy? Let’s get back to Minnesota and make more.
INT. RILEY’S ROOM
Riley’s worried face goes angry. She packs and exits.
EXT. LONG-TERM MEMORY CLIFFS
SADNESS
If we hurry, we can still stop her.
(points)
JOY
Family Island. Let’s go!
The trio run along the cliff edge towards the last island.
INT. SAN FRANCISCO HOUSE - STAIRWAY - DAY Riley walks downstairs.
EXT. LONG-TERM MEMORY CLIFFS Family Island shakes and crumbles.
SADNESS
Joy! Joy! It’s too dangerous! We
won’t make it in time!
JOY
But that’s our only way back!
The rumbling causes an END CAP of a nearby shelf to break, exposing an open tube. A memory gets sucked up and shot towards Headquarters.
INSIDE OUT
106.
JOY (CONT’D) A recall tube!
SADNESS We can get recalled!
They run towards it.
INT. SAN FRANCISCO HOUSE - DAY
Riley goes to the front door. Mom and Dad are in the kitchen.
MOM
Have a great day, sweetheart.
DAD
See you after school, monkey.
MOM We love you!
Riley doesn’t respond. She turns and walks out the door.
EXT. LONG-TERM MEMORY CLIFFS
Family Island rumbles. A LARGE CHUNK of cliff edge breaks off behind them, driving Joy and Sadness forward.
JOY Go! Run! RUN!
Joy steps into the disconnected TUBE, ready to sail up to Headquarters.
Sadness tries to climb in, but there’s not enough room; she jostles, pressing against the satchel. The CORE MEMORIES start to turn blue.
JOY (CONT’D) Woah woah! Sadness!
(pushing her back) Sadness, stop! You’re hurting Riley!
Joy pulls a core memory from the satchel. It is BRIGHT BLUE, but slowly fades back to normal.
SADNESS
Oh no, I did it again...
INSIDE OUT
107.
JOY
If you get in here, these core
memories will get sad!
Joy watches FAMILY ISLAND crumble. She looks down at Sadness.
Joy, pained, decides.
JOY (CONT’D)
I’m sorry. Riley needs to be happy.
She pulls the tube closed and starts up alone.
Sadness and Bing Bong watch, betrayed and despondent.
Joy looks guilt-ridden, but looks on towards Headquarters.
Suddenly, the cliffside rumbles. Joy’s tube BREAKS. Joy FALLS!
Bing Bong runs forward to help her, but the ground beneath him crumbles away.
Joy and Bing Bong tumble into the abyss.
Joy!!!
SADNESS
EXT. SAN FRANCISCO ALLEY - DAY Riley walks off into the fog.
EXT. MEMORY DUMP - MOMENTS LATER
Joy falls, clutching the satchel of core memories.
She lands hard, rolling down a hill of faded memories. She sits up, looks around. The satchel! All the memories are still there. Panicked, Joy runs up the hills of memories.
Off in another part of the dump, Bing Bong comes to.
BING BONG
Bing Bong notices his hand beginning to fade. He gasps.
BING BONG (CONT’D)
He finds Joy desperately clawing her way up the hill.
Joy?
Joy!
INSIDE OUT
108.
BING BONG (CONT’D)
Joy? Joy, what are you doing? Will
you stop it please? Joy ignores him; keeps trying.
BING BONG (CONT’D) Don’t you get it, Joy? We’re stuck
down here. We’re forgotten.
This stops Joy. All around, memories are fading to dust. Vapors blowing in the atmosphere, they disappear.
RILEY (O.S.)
We used to play tag and stuff.
Joy recognizes this. She finds Sadness’ BLUE CORE MEMORY: Riley crying in class.
RILEY (O.S.) (CONT’D) But everything’s different now
since we moved.
Seeing Riley cry breaks Joy’s heart. She falls to her knees.
She picks up a nearby MEMORY of young happy Riley coloring.
JOY
Do you remember how she used to
stick her tongue out when she was coloring?
Another memory: Riley talking to a bug.
JOY (CONT’D)
I could listen to her stories all
day.
Another memory: Riley spinning.
JOY (CONT'D)
I just wanted Riley to be happy.
And now...
She holds the recent blue memory of Riley in class. Joy hugs them all until the memories fall out of her arms.
Joy cries. A long, deep, painful cry.
Joy has lost everything.
Around her, memories fade and disappear.
A tear falls onto the faded TWISTY-TREE MEMORY. Joy wipes it.
INSIDE OUT 109.
In wiping the tear, the memory rewinds. Its color CHANGES from GOLD TO BLUE.
IN THE MEMORY: Riley sits in the tree with her parents, the team approaching in the distance.
Joy looks closer. What’s this? She rewinds more.
IN THE MEMORY: Riley sits in the tree, crying, alone.
Joy remembers what Sadness said about the memory...
SADNESS (V.O.)
It was the day the Prairie Dogs
lost the big playoff game. Riley missed the winning shot. She felt awful. She wanted to quit.
IN THE MEMORY: Mom and Dad come to console Riley. Joy fast forwards.
IN THE MEMORY: The hockey team lifts Riley on their shoulders and cheers. Riley smiles.
JOY
Sadness. Mom and Dad, the team...
they came to help because of Sadness.
She turns to Bing Bong, ready to take action.
Silence.
JOY (CONT’D)
We have to get back up there!
BING BONG
Joy, we’re stuck down here. We
might as well be on another planet.
JOY (getting an idea)
Another planet. (sings)
Who’s your friend who likes to play?
JOY (CONT’D) (sings louder)
Who’s your friend who likes to play?
INSIDE OUT
110.
BING BONG (understanding; excited)
His rocket makes you yell "Hooray!"
Far off, BING BONG’S ROCKET answers. They run towards it.
BING BONG (CONT’D) Who's the best in every way and wants to sing this song to say,
who's your friend who likes to play? Bing Bong Bing Bong!
Joy and Bing Bong find the rocket!
EXT. MEMORY DUMP - LATER
They perch the wagon atop a hill. Joy looks resigned.
JOY Hop in!
Both inside, Bing Bong pushes off. They speed down a slope to gain momentum, singing all the way. They reach the bottom and shoot up another hill, launching up towards the cliff top.
Joy and Bing Bong enthusiastically, if not desperately, sing at the top of their lungs.
Not even close. They crash back to the bottom.
C’mon!
JOY (CONT’D)
EXT. MEMORY DUMP - MOMENTS LATER
They shoot down a taller hill for another go. They SING faster and louder.
Joy reaches for the ledge but they fall with a thud.
Bing Bong stands. There’s no way they’ll make it. He looks up at the ledge and then to his hand -- it’s disappearing!
BING BONG
Come on, Joy. One more time. I’ve
got a feeling about this one.
EXT. MEMORY DUMP - MOMENTS LATER
Hurdling down the largest hill yet, they continue to sing Bing Bong’s song.
INSIDE OUT
111.
BING BONG
Louder! Louder, Joy! Sing louder!
Bing Bong times it just right... and jumps out of the wagon.
Without his weight, the Joy gains momentum. She’s unaware of Bing Bong’s absence.
JOY
We’re gonna make it!
The rocket makes it over the ledge! It crashes atop the cliff.
JOY (CONT'D)
Woohoo! Bing Bong, we did it! We--
She turns around. She’s alone.
JOY (CONT'D) Bing Bong? Bing Bong!
She runs to the cliff side. Below, Bing Bong laughs excitedly, happy to help Riley in the only way he can.
BING BONG
Ya ha ha! You made it! Ha ha! Go!
Go save Riley! (pause)
Take her to the moon for me. Okay?
He waves as the last of him vanishes into the air. Joy’s eyes widen in awe; he’s sacrificed his life for her.
JOY
I'll try, Bing Bong. I promise.
Joy gets up and soldiers on.
INT. SAN FRANCISCO HOUSE - EVENING
Mom and Dad walk in.
MOM
We’re home! Riley? Riley!
INT. RILEY’S ROOM - EVENING
Dad opens the door. The room is empty.
MOM
I’ll call her cell.
INSIDE OUT 112.
EXT. SAN FRANCISCO STREET - EVENING
Riley walks through a sketchy part of the city.
INT. HEADQUARTERS
FEAR
This is terrible. Wait. Is that
someone walking towards us? Let’s cross the street.
Riley’s cell phone rings. MOM is calling. INT. HEADQUARTERS
FEAR
It's Mom! She's on to us! Where's
my bag?
Fear finds a paper bag and breathes into it to calm himself.
DISGUST What do we do?
ANGER
Riley needs to get core memories.
We keep going.
EXT. SAN FRANCISCO STREET - CONTINUOUS Riley ignores the call and walks on.
EXT. LONG-TERM MEMORY
Joy runs through the Long-Term Memory stacks.
JOY Sadness!
She sees Family Island rumble, pieces beginning to break off. She frantically continues on.
EXT. BUS DEPOT - EVENING
Riley walks into the bus depot.
INSIDE OUT 113.
EXT. LONG-TERM MEMORY
Joy runs through a long corridor.
JOY Sadness? Sadness?
(no answer; desperate)
C’mon Sadness, where are you? Okay.
If I were Sadness, where would I be?
Joy slumps to the ground. She kicks a leg up in the air.
JOY (CONT'D) (Sadness voice)
Ohhh... everything is awful and my legs don’t work and you have to drag me around while I touch all the--
Joy stops. Something has caught her eye.
REVEAL: a path of blue memories on the bottom shelves.
Joy follows the path.
EXT. BUS DEPOT - MOMENT LATER
Riley walks out of the bus depot and into the advancing line. Her cell phone rings again: “Mom.”
INT. HEADQUARTERS
Fear breathes faster into his paper bag.
DISGUST
Oh no. It’s Mom again. What do we
do?!
ANGER Uh... Uh...
Boom! Family Island rumbles behind them.
QUICK INTERCUTS between the line getting shorter, Riley declining Mom’s call, and Family Island crumbling. Finally...
INT. HEADQUARTERS Fear’s bag POPS.
INSIDE OUT
114.
ANGER
This is madness! She shouldn’t run
away!
DISGUST
Let’s get this idea out of her
head.
They rush to unplug the idea.
INT. LONG-TERM MEMORY
Joy runs, following the path of blue memories.
JOY Sadness!
Joy rounds a corner and spots Sadness far down the next row.
JOY (CONT’D) Sadness turns around.
SADNESS
Joy?
Inexplicably, Sadness turns and runs away.
JOY Wait, Sadness!
Joy chases after her. Sadness doesn’t stop.
SADNESS
Just let me go! Riley’s better off
without me!
Joy follows Sadness straight into...
INT. IMAGINATIONLAND, FRENCH FRY FOREST
Sadness topples giant french fries in Joy’s path.
JOY Come back!
Joy uses a super-long fry to vault over the mound of fries.
Sadness!
INSIDE OUT 115.
INT. IMAGINATIONLAND, CLOUD TOWN
Two MIND WORKER COPS are questioning a CLOUD WITNESS.
MIND WORKER COP #1
So you’re saying your husband was
blown away by an elephant.
The Cloud Witness nods. Sadness runs past the crime scene. They don’t notice.
MIND WORKER COP #1 (CONT’D) Was he with anyone?
CLOUD WITNESS Yes! And there she is!
Joy runs right through the Cloud Witness, dissipating her.
MIND WORKER COP #1 (runs after Joy)
Hey! Come back here!
MIND WORKER COP #2 Forget it, Jake. It’s Cloud Town.
EXT. IMAGINATIONLAND, CLIFF EDGE
Joy searches for Sadness. Suddenly, rain falls on her. Above, Sadness is floating on a chunk of rain cloud, away from Headquarters.
JOY What? Sadness!
SADNESS (crying)
I only make everything worse!
JOY
Wait-- Sadness! We've gotta get you
back to...
(Sadness is too far away)
Ugh.
Joy looks back at Family Island crumbling. She looks around: what does she have to work with? The Boyfriend Generator...
INT. HEADQUARTERS
Anger tries to untwist the Idea Bulb, but IT WON’T MOVE.
INSIDE OUT
116.
ANGER It’s stuck!
DISGUST Oh great.
FEAR Whadayamean it’s stuck?!?
DISGUST Now what?
A strange BLACKNESS spreads over the console.
FEAR
Oh, no, no, no. What is THIS?!
INT. BUS - EVENING Riley boards the bus.
INT. HEADQUARTERS
Anger slams a chair down on the console. It bounces off with no effect. Fear lunges in with a crowbar. He loses control and it smacks him in the face.
INT. BUS - CONTINUOUS
Riley walks down the aisle of the bus.
INT. HEADQUARTERS
FEAR
Oh, how do we stop it?
DISGUST
I got it! Make her feel scared!
That’ll make her change her mind!
FEAR Brilliant!
DISGUST
I know it’s brilliant. Do it!
Fear frantically pushes buttons.
INSIDE OUT
117.
FEAR
Ahh! Nothing’s working! Why isn’t
it working??
ANGER Let me try!
Disgust and Fear pound on the console buttons.
DISGUST Great, you broke it!
FEAR No, I didn’t!
ANGER Let me do it!
INT. BUS - CONTINUOUS Riley takes a seat.
INT. HEADQUARTERS
By now, the console is mostly black.
FEAR
Guys. We can’t make Riley feel
anything.
INT. BUS - CONTINUOUS Riley sits on the bus.
INT. HEADQUARTERS
What have we done?
EXT. IMAGINATIONLAND, BOYFRIEND GENERATOR Joy runs up to Riley’s Imaginary Boyfriend.
JOY
Hey! Hey, look at me. Did you mean
what you said before?
ANGER
INSIDE OUT
118.
IMAGINARY BOYFRIEND
I would die for Riley! I would die
for Riley!
JOY
Yeah, yeah, okay, Haircut. Time to
prove it.
Joy scoops him into her satchel. She activates the generator. Imaginary Boyfriends pour out, directly into Joy’s satchel.
EXT. IMAGINATIONLAND
Joy spots Sadness ahead, and runs past her.
EXT. IMAGINATIONLAND, BALLOON TREES
Joy pulls a balloon free from a TWISTY BALLOON PALM TREE. She aims it towards the approaching Sadness and unties it.
PTHHPT! The balloon blows Sadness back over the MEMORY DUMP. In the process, the HOUSE OF CARDS behind them collapses.
HOUSE OF CARDS WORKER (angry)
That’s it! I fold!
EXT. IMAGINATIONLAND, BOYFRIEND GENERATOR
Joy sprints by grabbing the SATCHEL, now full of boyfriends.
EXT. IMAGINATIONLAND, CLIFFSIDE
Sadness floats out over the Memory Dump. Joy runs along the cliff edge, parallel to Sadness, towards Family Island.
EXT. LONG-TERM MEMORY CLIFFS, NEAR FAMILY ISLAND
Joy sights Sadness and aligns herself with Family Island. She dumps the satchel, pouring out the Boyfriends. Their momentum pulls her to the top of a TOWER OF BOYFRIENDS.
JOY (to herself)
This is crazy, this is crazy... No, no, no! Joy! Be positive.
(beat)
I am POSITIVE this is crazy!
INSIDE OUT 119.
Joy spots the trampoline on Family Island, then Sadness floating away. She times it...
JOY (CONT’D) The tower tips forward.
NOW!
For Riley!
IMAGINARY BOYFRIENDS
Joy falls towards Family Island, bounces on the TRAMPOLINE, flying up towards Sadness. She intercepts Sadness midair...
JOY Gotcha!
Joy?
SADNESS
JOY Hang on!
They launch towards Headquarters. Will they make it?
INT. HEADQUARTERS
Anger, Fear and Disgust watch the screen, worried.
FEAR
Ohhh, I wish Joy was here!
SPLAT! Joy and Sadness hit the back window and slide down, grabbing the window edge. The Emotions run to the window.
DISGUST It’s Joy!
ANGER Stand back! Arrrrgh!
Anger throws a chair at the window. It bounces off.
DISGUST (sarcastically)
That worked.
ANGER
Well, what would you do, if you’re
so smart?!
He’s smoldering. Disgust’s eyes light up.
INSIDE OUT
120.
DISGUST
I’d tell you, but you’re too dumb
to understand.
ANGER What?!
DISGUST
Of course your tiny brain is
confused. Guess I’ll just have to dumb it down to your level. Sorry I don’t speak “moron” as well as you, but let me try: Duuuuhhhhh.
Anger explodes, bursting into full blowtorch flames. Disgust, sporting a welding mask, picks him up and blows a hole in the window. Joy and Sadness climb through.
Anger Fear and Disgust all talk at the same time, explaining:
FEAR
Oh, thank goodness you’re back.
DISGUST
Things are really messed up.
ANGER
We found this idea, and now Riley’s
on a bus heading for Minnesota! Joy looks at the screen.
ON THE SCREEN: Riley stares vacantly out the bus window.
EXT. BUS DEPOT - NIGHT
The bus starts to pull away.
INT. HEADQUARTERS
DISGUST
Joy, you’ve got to fix this. Get up
there.
JOY
Sadness, it’s up to you.
SADNESS
Joy pushes Sadness towards the console.
Me?
INSIDE OUT
121.
Sadness?!?
ANGER/FEAR/DISGUST
SADNESS I can’t, Joy.
JOY
Yes you can. Riley needs you.
Sadness looks at Joy. Really? Joy nods.
INT. BUS - CONTINUOUS
The bus pulls out onto the street.
INT. HEADQUARTERS
Sadness approaches the console and takes charge.
SADNESS
She grips the Idea Bulb. The console is now completely black.
EXT. SAN FRANCISCO STREET - NIGHT The bus is on the road.
INT. HEADQUARTERS
Sadness works... and ejects the Idea Bulb. The blackness retracts.
INT. BUS - NIGHT
Feeling comes back to Riley: her expression changes from listless to sad. She stands.
RILEY
Wait! Stop! I wanna get off.
The bus stops. Riley runs to the front and out the door.
EXT. BUS STOP - NIGHT
Riley runs away from the bus.
Okay.
INSIDE OUT 122.
INT. HEADQUARTERS
The Emotions watch the screen in anticipation.
EXT. SAN FRANCISCO STREET - NIGHT Riley runs back towards home.
INT. SAN FRANCISCO DINING ROOM - NIGHT
Mom sits at the table, on the phone. Dad hovers.
MOM (on phone)
Alright. Thank you. We will. (to Dad)
Her teacher hasn’t even seen Riley all day.
DAD
What? I can't believe this.
MOM
What was she wearing last? Do you
even remember what--
The door opens. Riley walks in. They rush over to her.
Riley!
MOM (CONT’D)
DAD
Riley, there you are! Thank
goodness!
MOM
Oh, we were worried sick! Where
have you been? It’s so late...
INT. HEADQUARTERS
Sadness drives. Joy walks to her, holding the golden core memories. She hands them over to Sadness.
The core memories turn BLUE.
Sadness places one in the recall unit.
THE MEMORY PLAYS ON SCREEN:
Young Riley and young Meg walk side by side.
INSIDE OUT 123.
INT. SAN FRANCISCO DINING ROOM - CONTINUOUS Riley remembers.
INT. HEADQUARTERS
Sadness places another blue memory in the recall unit.
MEMORIES PLAY ON SCREEN:
Young Riley makes cookies with Mom and Dad. Riley runs around with underpants on her head, Dad chasing. Riley scores her first goal. Riley skates with Mom and Dad.
Sadness places her hand on the console. It turns BLUE.
INT. SAN FRANCISCO DINING ROOM Riley cries.
RILEY
I know you don’t want me to but...
I miss home. I miss Minnesota. Mom and Dad, concerned, listen quietly.
RILEY (CONT’D)
You need me to be happy, but... I
want my old friends, and my hockey team... I wanna go home. Please don’t be mad.
MOM Oh sweetie...
DAD
We’re not mad. You know what? I
miss Minnesota too. I miss the woods where we took hikes.
MOM
And the back yard where you used to
play.
DAD
Spring Lake, where you learned to
skate. Riley cries harder.
Come here.
DAD (CONT’D)
INSIDE OUT 124. He pulls Riley towards them. The three hug.
INT. HEADQUARTERS
Joy steps forward with one more gift for Sadness: the blue core memory.
Sadness pulls Joy by the hand and places it on the console.
INT. SAN FRANCISCO DINING ROOM
Still in an embrace, Riley smiles through her tears.
INT. HEADQUARTERS
BING! Joy and Sadness hear the sound of a new memory being produced. It’s a NEW CORE MEMORY: BLUE AND GOLD, swirled together. A first.
The Emotions react in awe.
The memory travels down the track and into the holder. A lightline extends out the back of Headquarters. It is a new FAMILY ISLAND, bigger than before.
Joy and Sadness turn back to the console together.
INT. SAN FRANCISCO DINING ROOM Riley, Mom and Dad embrace.
INT. HEADQUARTERS
Watching the screen, Joy rests her head on Sadness. They’re a team.
INT. HEADQUARTERS - DAYS LATER
We see many new, multicolored core memories in the Core Memory Holder.
The Emotions admire the new Islands of Personality.
FEAR
Hey, I’m liking this new view.
INSIDE OUT
125.
ANGER
Friendship Island has expanded.
Glad they finally opened that Friendly Arguments section.
SADNESS
I like Tragic Vampire Romance
Island.
DISGUST
Fashion Island. Everyone shut up!
FEAR
Boy Band Island. Hope that's just a
phase.
JOY
Say what you want, I think it’s all
beautiful.
WORKER FRITZ
Alright!
The Emotions turn to see workers at a new, larger console.
WORKER FRITZ (CONT’D) There you go. Your new expanded
console is up and running. The new console lights up.
JOY/SADNESS/FEAR/ANGER/DISGUST
Whoa!
Cool. Upgrade!
JOY Ooohh.
Fear leans on the console. BEEP!
FEAR
Hey! Whoa! Whoops, wait. Did I just
do that?
DISGUST
(re: a warning light label)
Hey guys? What’s “pub-er-ty?”
JOY
I don’t know. It’s probably not
important.
DISGUST
INSIDE OUT
126.
BEEP!
ANGER
Whoa. I have access to the entire
Curse Word Library! This new console is the sh--
FEAR
Sorry. I did it again. My bad.
DISGUST
(pointing to screen)
They’re getting to the rink!
EXT. HOCKEY RINK - DAY
The same rink Riley left before. The Golden Gate gleams in the background.
INT. HOCKEY RINK
A pep talk from Riley’s parents. We don’t see their faces.
DAD
Now when you get out there, you be
aggressive!
RILEY (embarrassed)
I know, Dad.
MOM
-- but not too aggressive.
RILEY
You know, you guys don’t have to
come to every game.
REVEAL: Mom and Dad’s faces are painted blue and green.
DAD
Are you kidding? I’m not missing
one! GO FOGHORNS!
MOM
GO RILEY! FOGHORNS ARE THE BEST!
RILEY
Okay, okay. I gotta go.
Riley walks away, mortified, as Dad makes foghorn noises.
INSIDE OUT 127.
INT. HEADQUARTERS
All the Emotions at the control panel.
JOY Awww...
FEAR They love us!
ANGER
Yeah, Mom and Dad are pretty cool.
DISGUST
Guys, of course they are. But we
can’t SHOW IT!
INT. HOCKEY RINK
Zoom in to Dad’s head...
INT. DAD’S HEADQUARTERS
Dad’s Emotions cheer. They all have their faces painted.
ON THE SCREEN: Mom beams at Dad.
DAD’S FEAR
She loved the face painting!
DAD’S ANGER
Ha! Told you it was a great idea!
Dad turns to Mom. She smiles, and we zoom in to her head...
INT. MOM’S HEADQUARTERS
All Mom’s Emotions are also painted.
MOM’S ANGER
Best idea he’s had in awhile.
MOM’S SADNESS He’s a really good guy.
They all sigh. Mom’s Anger tosses the MEMORY of the Brazilian helicopter pilot. Mom’s Fear retrieves it.
MOM’S FEAR Just in case.
INSIDE OUT 128.
INT. HOCKEY RINK
Riley walks towards the ice and bumps into A TEEN BOY. He drops his water bottle. She picks it up for him.
RILEY Oh. Sorry!
She smiles.
ZOOM IN TO THE BOY’S HEAD.
INT. BOY’S HEADQUARTERS
A dirty, chaotic room. Stuff everywhere.
GIRL ALARM GIRL! GIRL! GIRL!
WARNING LIGHTS ARE BLARING. His Emotions run around in a panic, screaming. One of them is HUDDLED, CRYING.
INT. HOCKEY RINK
The boy stands stunned, unable to speak. Riley hands him the water bottle.
RILEY Uhh... Ooooo-kay. Bye!
Riley skates out onto the ice, looking back over her shoulder... with a hint of a smile?
HOCKEY TEAMMATE (O.S.) All set, Riley?
She HIGH-FIVES a new teammate. They skate into position as Mom and Dad cheer from the stands.
INT. HEADQUARTERS
Joy and Sadness stand side by side at the new console, flanked by the others.
JOY You ready?
Yeah!
SADNESS
INSIDE OUT
129.
JOY
Alright. Let’s play some hockey!
We ZOOM OUT of Riley’s head.
INT. HOCKEY RINK
Riley faces off. The puck drops.
JOY (O.S.)
All right Anger, take it!
ANGER (O.S.)
Give us that puck or you’re dead
meat! Riley gets it!
FEAR (O.S.)
On our left! On our left!
An opponent steals the puck.
DISGUST (O.S.) Let’s just try not to get all
smelly this time.
SADNESS (O.S.)
Hooh, Mom and Dad are watching us
fail.
ANGER (O.S.)
Not today!
Riley regains the puck and skates off with a smile.
THE END.
JOY (V.O.)
We’ve been through a lot lately,
that’s for sure. But we still love
our girl. She has great new
friends, a great new house...
things couldn’t be better! After
all, Riley’s 12 now. What could
happen?
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